Why The Brotherhood of The Bell still packs a wallop

TVC 719.2: Part 2 of a conversation that began a few weeks ago with author, essayist, novelist, and TV historian Mitchell Hadley (The Electronic Mirror, ItsAboutTV.com). Mitchell's latest book, Darkness in Primetime: How Classic-Era TV Foresaw Modern Society's Descent into Hell, is a series of essays that shows how certain episodes of such classic series as The Twilight Zone, The Outer Limits, Star Trek, and The Prisoner—all of which were originally written and broadcast in either the 1950s or 1960s—not only envisioned a society of 24/7 surveillance, thought control, disinformation, persecution, and loss of freedom, but portrayed those realities in ways that are disturbingly similar to the world that we currently occupy. Topics this segment include a look at The Brotherhood of the Bell (CBS, 1970), a made-for-TV movie starring Glenn Ford (adapted for television by David Karp, based on his novel The Brotherhood of Velvet, about a secret society that is bent on world domination) that is also a variation of the classic tale of Faust; and "Susan B. Anthony, I Love You," an episode of Petticoat Junction from February 1970 that, whether by design or not, has a storyline that is reminiscent of Lysistrata, the classic Greek play by Aristophanes.