How the Close Third Person POV Can Get You Closer Than First Person

From The Shit No One Tells You About Writing Bianca Marais, Carly Watters and CeCe Lyra

In today's Books with Hooks, Bianca, Carly, and CeCe are joined by guest listener, Erica. They discuss the need to illustrate external plot points within a query letter, even if the book is more quiet/internal; using plot as scaffolding for the emotionality within your novel; the need for propulsiveness in a query and plot; figuring out how to describe your climax when it includes various subplots; how having a strong, definitive hook makes it easier to write a query letter; letting your story speak for itself rather than trying to shoehorn it into a different genre; the purpose of prologues (when they work); and specificity within a character's thoughts.

After which, Bianca interviews Laurie Frankel, author of Family Family. They discuss the importance of creating unique character names; writing a novel that's full of nuggets of wisdom without being trite; sticking to one draft instead of choosing a different one that's easier; Laurie's approach to editing; what a leap of faith writing a novel is; and Laurie's use of third person close POV and how this can get a writer even closer to their characters than first person.

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