Choosing the Best POVs for a Multi-POV Novel

In today's Books with Hooks, Carly and CeCe are joined by guest agent, Jo Ramsay, to critique two queries. They discuss the issue of withholding too much plot in a query; highlighting the stakes in your query; the importance of first lines in a novel; the need for psychological depth and acuity in your characters; the issue of comping to titles that are hugely successful; the risk of having too many POVs in a novel; avoiding too much backstory in your query; and the problems with a reader being too removed from a scene, even if it's done intentionally.

After which, guest interviewer, Bronwen Keyes-Bevan from BoolaBos magazine interviews author and winner of the Bridport Prize for literary fiction, Fiona Williams. They discuss Fiona's debut novel, The House of Broken Bricks; her background in biological sciences and her shift to creative writing; the expert use of figurative language; how Fiona tackled writing four different points of view, and her reasoning for choosing certain perspectives for certain characters; writing from children's POVs; and Fiona's feelings around the potential of being conflated with some of her characters.

Note: Carly Watters and CeCe Lyra are literary agents at P.S. Literary Agency, but their work on this podcast is not affiliated with the agency, and the views expressed by Carly and CeCe on this podcast are solely that of them as podcast co-hosts and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

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