Special Report: George Haddad on Lioness

Gunshots on Lioness aren't supposed to sound like movie gunshots. Supervising sound editor George Haddad, an Emmy winner for The Studio, talks with Mike about building Taylor Sheridan's CIA drama from authentic sources: researching how a specific weapon sounds in a specific place, recording a friend's Rivian for another series, and cleaning dialogue so viewers never reach for the subtitles.

The conversation also goes back to Berklee, drumming, and a childhood Star Wars (1977) moment, then to DVD-era restorations of Highlander II: The Quickening (1991) and The Good, the Bad and the Ugly (1966), where Clint Eastwood returned to re-record lines, and to Jackass Number Two (2006) versus House of 1000 Corpses (2003).

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