Special Report: Clean Hands (2026)
Mike talks with Jake Allyn, writer-director of Clean Hands (2026), a true-crime drama about a celebrated Hagerstown, Maryland narcotics sergeant fighting the opioid pipeline he polices by day while his own daughter is consumed by it at home.
Allyn found the story on YouTube during COVID and became close enough with the real Kevin and Dana Simmers that he calls them second parents; they and the police officers who served with Kevin were on set throughout the 20-day Atlanta and Hagerstown shoot, alongside Brooke’s actual drug counselor, who appears in the film herself. Zach Braff, taking his first dramatic lead as a real person and a cop, reportedly came to need Kevin’s presence on set by the second week after initially asking for space; Esther McGregor carried the weight of standing in for every woman who’s passed through the recovery home the real story inspired. Allyn structured the film’s financing so that a third of its profits go directly to Brooke’s House, the real nonprofit recovery residence Kevin founded after his daughter’s story played out.
The film is Allyn’s second directing credit, made with his brother Conor, following their earlier border drama Ride; it opens Friday, October 16th, after premiering at this year’s Tribeca Festival.
Follow the film on Instagram, and visit Brooke’s House to support the recovery program.
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.
Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
Allyn found the story on YouTube during COVID and became close enough with the real Kevin and Dana Simmers that he calls them second parents; they and the police officers who served with Kevin were on set throughout the 20-day Atlanta and Hagerstown shoot, alongside Brooke’s actual drug counselor, who appears in the film herself. Zach Braff, taking his first dramatic lead as a real person and a cop, reportedly came to need Kevin’s presence on set by the second week after initially asking for space; Esther McGregor carried the weight of standing in for every woman who’s passed through the recovery home the real story inspired. Allyn structured the film’s financing so that a third of its profits go directly to Brooke’s House, the real nonprofit recovery residence Kevin founded after his daughter’s story played out.
The film is Allyn’s second directing credit, made with his brother Conor, following their earlier border drama Ride; it opens Friday, October 16th, after premiering at this year’s Tribeca Festival.
Follow the film on Instagram, and visit Brooke’s House to support the recovery program.
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.
Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
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