Queer Criticism

In his essay “Responsibilities of a Gay Film Critic”—first published in the January/February 1978 issue of Film Comment—Robin Wood wrote: “Critics are not, of course, supposed to talk personally. It is regarded as an embarrassment, as bad taste, and besides it is an affront to the famous ideal of ‘objectivity.’ . . . Yet I believe there will always be a close connection between critical theory, critical practice, and personal life; and it seems important that the critic should be aware of the personal bias that must inevitably affect his choice of theoretical position, and prepared to foreground it in his work.” Michael Koresky, Director of Editorial and Creative Strategy at the Film Society of Lincoln Center, invoked this landmark essay during a talk at the RiverRun International Film Festival in Winston-Salem, North Carolina, where he was joined by K. Austin Collins, critic at Vanity Fair, and filmmaker and critic Farihah Zaman. Addressing representation in recent films like Love, Simon and Call Me by Your Name, the process of identification, and the absence of sexuality in the Marvel universe, their conversation is an earnest and thoughtful consideration of movie-viewing while queer.