“I think that it's almost like in some ways the specificity of Palestine also becomes kind of a universality, where you can stay in this specific example because there is something about this experience that makes it specific, right? It's happening because it's been sanctioned to happen in this way. Right? Because you can't slaughter tens of thousands of people without consequence unless you have made those people less than people. Unless there has been a very effective project of dehumanization that's been carried out against the people that are being killed. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.” Hala Alyan is the author of the memoir I'll Tell You When I'm Home , the novels Salt Houses —winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists’ City , a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back . Her work has been published by The New Yorker , The Academy of American Poets, The New York Times , The Guardian , and Guernica . She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast
