The nineteenth century—steamships, family names, world trade, foreign firms, liberal ideas. Great tides of change are roiling Manila. In the middle of the chaos, a new art trend captures the imagination of local elites. How are these letras y figuras holding a mirror to Philippine society? Cover Photo from the Ayala Corporation Collection. Follow us on IG: @thecolonialdept Follow us on TikTok: @thecolonialdept Email us:
[email protected] References: Blanco, John D. (2009). Frontier Constitutions: Christianity and Colonial Empire in the Nineteenth-Century Philippines. University of the Philippines Press. Santiago, Luciano P.R. (December 1991). “Damian Domingo and the First Philippine Art Academy.” Philippine Quarterly of Culture and Society, 19 (4), pp. 264-280. Flores, Patrick D. (17 November 2011). “Everyday, Elsewhere: Allegory in Philippine Art.” Contemporary Aesthetics, (0) 3 (Special Issue). “Lot 46. Jose Honorato Lozano, c. 1815-1885.” (2021) Salcedo Auctions. Quirino, Carlos (1961) "Damian Domingo, Filipino Painter." Philippine Studies: Historical and Ethnographic Viewpoints, 9 (1), pp. 78-96. “Jose Honorato Lozano (c. 1815-c. 1885).” (undated) Christie’s. Sorilla IV, Franz (8 February 2021). “Letras y Figuras: The 19th Century Philippine Art Form’s Origins and Legacy.” Tatler Asia. Buenconsejo, Jose S. (2018). “Keyboards in the Nineteenth-Century Philippines.” In Tan, Arwin Q. (ed.), Saysay Himig: A Sourcebook on Philippine Music History , University of the Philippines Press, pp. 234-242. Navarro, Raul Casantusan. (2018). “Opera in the Philippines, 1860s-1940s.” In Tan, Arwin Q. (ed.), Saysay Himig: A Sourcebook on Philippine Music History , University of the Philippines Press, pp. 234-242. Mallat, Jean (1846). The Philippines: History, Geography, Customs, Agriculture, Industry, and Commerce of the Spanish Colonies in Oceania (Pura Santillan-Castrence, Trans.) (2021). National Historical Commission of the Philippines.
