Cornish filmmaker Mark Jenkin puts the film back in movie making with his latest offering, Enys Men. This 16mm environmental horror/ filmic poetry tomb is a visual feast for those looking for something further afield. Jim and Teal explore Jenkin's two features, Enys Men, and his 2019 feature debut, Bait. Both movies create an atmosphere all their own, with a look unlike anything else out there.
Also, to start off this episode, Jim gives Teal a report on seeing Med Hondo's 1977 film, West Indies: The Fugitive Slaves of Liberty, which he caught at a rare screening at the Harvard Film Archive.
