Aristotle Kallis, "Iconic Fascism: The Excess of Destruction and Creation in Interwar Radical Right-wing Politics" (Bloomsbury, 2026)

In Iconic Fascism: The Excess of Destruction and Creation in Interwar Radical Right-wing Politics (Bloomsbury, 2026) Aristotle Kallis uncovers the paradox at the heart of fascist politics: the simultaneous obsession with destroying and creating powerful symbols. This book demonstrates how fascists were simultaneously some of history's most passionate icon-lovers and most ruthless icon-breakers, wielding symbolic excess as both weapon and worship in their revolutionary project. Through a sweeping comparative analysis, Kallis reveals how fascist movements and later regimes were driven by a relentless battle of absolutes, seeking not only to eradicate the icons and reclaim the spaces of their enemies, but to saturate public life with their own emblems, rituals, and myths; and to make the political visceral. Kallis demonstrates that fascist violence was never merely blind or indiscriminate. Instead, it was a meticulously choreographed struggle for symbolic dominance, in which the destruction of enemy 'false' icons was inseparable from the performative creation of new, sacred icons of fascist power. He traces how this constant pursuit of "destructive creation" evolved from street-level partisan warfare to state-sponsored spectacles of monumental architecture and mass liturgies. Kallis argues that fascism's 'iconic compulsion' - its need to condense moral absolutes into visible, emotionally potent symbols - remained constant whether fascists operated as fringe insurgents or totalitarian regimes, fuelling its cycles of rupture and rebirth. Spanning street-level violence, mass spectacle, and monumental urban planning, Iconic Fascism challenges us to rethink the role of symbols in the making-and unmaking-of political communities.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.