Amadeus

Say you’ve just woken up in the late 18th century. Lucky for you, you find yourself the rich scion of a notable family, which, in said time period, means you’ve got it made. The only thing you’ll be lacking is something to occupy your time with. The military being too scary, the theater being too derivative, and the video games being too nonexistent, there’s every chance you’ll find yourself quickly becoming a regular at your local opera house. But wait, what’s this? An upstart young musician named Mozart has just arrived in Vienna? Whatever could this mean for court politics, for music, and for culture at large? Well, you’ll know better than the rest of us, because the rest of us have mostly received our answers from Amadeus, a 1984 period piece directed by Milos Forman and featuring a famously loose retelling of history. Since we haven’t been so lucky as to have been transported back in time and books are lame, we’ll have to settle for the film, though to be fair, there are worse trade-offs. Amadeus was a hit at the Oscars and its reputation has only grown since its release, so it was only a matter of time before Magellans at the Movies declared their position on this melodic matinee. One. Two. One, two, three, four and start!

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