S1E86 - Riley on Building DIY Spaces

Episode Summary

This week on Live Like the World is Dying, Riley talks to Margaret about building DIY spaces, how to plan events, and how to build a culture around your events of inclusivity and solidarity.

Guest Info

The Pansy Collective can be found on Instagram @Pansy.Colletive.

Host Info

Margaret can be found on twitter @magpiekilljoy or instagram at @margaretkilljoy.

Publisher Info

This show is published by Strangers in A Tangled Wilderness. We can be found at www.tangledwilderness.org, or on Twitter @TangledWild and Instagram @Tangled_Wilderness. You can support the show on Patreon at www.patreon.com/strangersinatangledwilderness.

Transcript

Live Like the World is Dying: Riley on DIY Spaces

**Margaret ** 00:15 Hello and welcome to Live Like the World is Dying, your podcast for what feels like the end times. I'm your host, Margaret Killjoy. I have just found out that my co-host, Inmn, has a voice that's similar enough to mine that people don't know which one of us is hosting. So, you can tell it's me because I am charming and perfect...Shit, so is Inmn...Okay, so that's not really what matters here. What matters here is that today, we are going to be talking about--a lot of people have written in and been like, "But I don't have community. You talk about community preparedness all the time." And obviously, subculture isn't the only type of community, but it's one of them. And we're going to talk about subculture. And we're gonna talk about DIY subculture. And we're gonna talk about fucking doing shit yourself. And we're gonna talk to someone who has a lot of experience of doing that at the intersection of marginalizations and not just reproducing cis white hetero stuff. So, this podcast is a proud member of the Channel Zero Network of anarchist podcasts and here's a jingle from another show on the network. Doo doo doo doo doo. Doo. [Singing a simple melody with words]

**Margaret ** 01:34 And we're back. Okay, so if you could introduce yourself with your name, your pronouns, and then why you think I've brought you on this podcast.

**Riley ** 02:06 Hey Y'all. Yeah, my name is Riley. He/him pronouns. You brought me on this podcast because we're friends. And also because we've played some shows together and done some things together. And I'd like to think that we have some shared affinity and maybe even that we are in community together. So yeah, yeah. I think that's kind of why I'm here.

**Margaret ** 02:36 Okay. Well, you have experience...When I was like, trying to think I was like, "Who do I know who has experience building DIY scenes and like punk scenes and musical "subgenric" scenes. That's definitely a word. Don't look it up. Do you have experience doing that? What's your experience doing that?

**Riley ** 03:00 Yeah, you know, I do have some experience doing it. You said "a lot." I would say "limited." But, I organize with a collective here in Asheville, North Carolina called Pansy Collective. We call ourselves the "benefit booking collective" because a lot of what we do is book DIY shows to raise money for either trans people's surgical, or medical, or just living expenses, and also for grassroots projects that don't get funding any other way. Yeah, so we book shows, we throw parties, we also organize popular education and workshops and kind of use the concept of DIY community in a punk way to push people further to the left.

**Margaret ** 03:56 I, I really liked that. I think...I don't know if it was the first time I met you, or just the first time I saw you play, was coming on 10 years ago now. And you were playing this playing this show. And the thing that just like really immediately struck me was how much it felt like...When I first got into when I was like a teenager, I didn't give a shit about punk because...I don't know, the punk on the radio was fine, but it just...Like I liked Sisters of Mercy instead. Well, at the time I probably like Marilyn Manson instead, but we'll pretend like I only ever listened to Sisters of Mercy. And then when I like fell into anarchism and I started going to these like basement shows in Baltimore and there was this shared sense of like urgency to change the world, and that this is a thing that we are doing collectively and a thing we're doing from direct action, even if it just meant that the five foot tall singer was screaming, "I'm going to break a 40 on the motherfucking Nazis face!" or whatever, right? You know, it's like, you like believed her, right? Cuz she was telling the truth. Like, she probably got arrested for that. Well, yeah. And like, a 17 year old from that scene caught 27 felonies for beating up Nazis like two months later...and beat all the charges. She beat all the charges. And so this is what struck me, is that when I went and saw you play, it was like one of the times I really felt that again. And it felt like there was like something there. And I'm wondering if you want to talk about like...well, I guess like punk and about what draws you to it, what keeps you there, and what you're excited about DIY scenes for? Or any of that shit.

**Riley ** 05:43 Yeah, I mean, I can't pretend like punk music wasn't a facet of what radicalized me, right? And, I think exposure to--I mean, I wasn't a punk when I was in high school. And I was into riot girl feminism, specifically, was like a really point--and I feel like almost embarrassed to talk about it now, but let's own that for a second, right?

**Margaret ** 06:10 Yeah, whatever.

**Riley ** 06:11 Or, what brought me into that was also another facet of radicalization, which was seeking resources for being sexually assaulted at a young age, right? So I'm like, getting politicized through finding feminism and having these kinds of first moments of...You know, I grew up in real rural North Carolina. There's not scenes where I'm from, right? There's not even punks where I'm from. And kind of ideas of resistance, even ideas of bodily autonomy, and that what may be happening to you isn't your fault, and that maybe it's okay to be queer, you know, like, these were like, really groundbreaking ideas as a teenager. And so I'm finding these bands that are kind of espousing these ideologies, and carrying energy that I had no outlet for--or maybe just had really unhealthy outlets for--before I started listening to punk heavily. And then, really moving to Asheville as soon as I turned 18 because in this area, the queer and trans people from rural spots are told, "If you want to go somewhere to find where the other gay people are, go to Asheville." And so I just listened to that and went where I could. And I mean, I had some really pivotal moments, both good and bad, you know, and I'm in really this kind of naive idea that like, "Oh, you know, I'm coming into this from a feminist lens, so punks must be not misogynists, right?" [Margaret laughs] And then I learned that that wasn't true really quickly because I started having shitty experiences in mosh pits and, you know, getting groped, and my friends getting groped, and, you know, just having, I mean, just unsafe experiences that also really, you know, pissed me off because it felt so not...like this is inherently against the ethos of what this genre is