S1E29 - Shane Burley on Confronting Fascism during the Apocalypse

Episode Notes

Margaret talks to author and organizer Shane Burley about fascism: what it is, why it comes up during times of crisis, and what we can do about it. They discuss the ways that we organize as anti-authoritarians to confront the ultimate authoritarianism.

Shane Burley is the author of Why We Fight: Essays on Fascism, Resistance, and Surviving the Apocalypse (AK Press, 2021) and Fascism Today: What It Is and How to End It (AK Press, 2017). His work has appeared in places such as NBC News, Jacobin, Al Jazeera, The Baffler, The Daily Beast, Truthout, In These Times, and Protean. He also runs the antifascist neofolk blog A Blaze Ansuz. You can find him on Twitter: @shane_burley1.

The host Margaret Killjoy can be found on twitter @magpiekilljoy or instagram at @margaretkilljoy. You can support her and this show on Patreon at patreon.com/margaretkilljoy.

Transcript

1:16:24

SPEAKERS Shane Burley, Margaret

Margaret Hello, and welcome to Live Like the World is Dying, your podcast for what feels like the End Times. I'm your host, Margaret Killjoy, I use she or they pronouns. And this week I'm talking to author and researcher Shane Burley about, well about fascism, about what it is and why it comes up during times of crisis and what we can do about it and the ways that we organize as antiauthoritarians to confront the ultimate authoritarianism which is, you know, fascism. This podcast is a proud member of the Channel Zero Network of anarchist podcasts, and here's a jingle from another show on the network.

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Margaret So I'm here today with author and activist Shane Burley. And if you want to introduce yourself with I guess your name, which I already said, and your pronouns, and then I guess a bit of your background and how you come to know a bit about the apocalypse and fascism.

Shane Burley Sure, sure. So Shane Burley, he/him or them, both a fine. I'm based out here in Portland, and recently just wrote a book, a collection of essays sort of tying together fascism, antifascism, and the kind of feeling of the apocalypse. I've been an organizer for all my adult life, labor, mutual aid groups, housing groups particularly, and part of kind of integrated social movements on both coasts, and have definitely seen a certain kind of crisis set in—maybe a longstanding crisis—but when that really came into fruition in 2020. So the feeling of the apocalypse was something I felt like I knew really well. And it's how I became—began to kind of understand the last few years within the narrative of apocalypse, particularly kind of the religious apocalypse that a lot of us were raised with.

Margaret Okay. And that's kind of interesting to me because usually when I think about the apocalypse, and when I—when I talk about it, I actually don't think much or talk much about the religious apocalypse, like—and so that's actually a little bit outside my own purview. And I was wondering if you could expand on that, because I mean, like, I have ideas about how the current world relates to societal collapse in a secular sense. But could you explain more what you mean about religious apocalypse?

Shane Burley You know, I think a piece of it comes to how I kind of understand religion or maybe spiritual practices as a sort of folk tradition for understanding our emotions, our experiences, our relationships, both kind of small, interpersonal, but also like big social systems. And so, you know, the apocalypse is something that's such—one of those ever present—kind of perennial concepts in people's folk traditions, trying to understand themselves in the world. It can be sometimes cyclical, there's many apocalypses and many rebirths, that kind of thing could be one, long standing apocalypse. But I talk about this in my book is that, you know, I had a lot of religious terror growing up in advance of the millennium. And so, you know, I was born in 1984. So I was a teenager when, you know, what the Y2K happened. But in the years leading up to that when I was still pretty young, there was this really intensive feeling that apocalypse talk was starting to happen, particularly the kind of Christian eschatology of Revelation, the rapture, and that really sort of captivated me in the worst possible way. And something I bonded—that fear I bonded on with my mother, because she had been captivated by that when she grew up Pentecostal in kind of rural California. And so that feeling of terror about what could happen, the end of the world, that stuck with me for a very long time, and not in entirely bad ways it's—and to a degree it's kind of the narrative story I give to the emotions of feeling trapped and not sure what's about to happen or feeling like things are kind of falling to pieces. And that narrative quality sometimes helps me step back and kind of understand it. And I think, after Trump's election, a real ramping up of climate collapse, economic—just totally dissolving, watching capitalism basically begin to break apart—there was that feeling. I felt like I was 10 years old again, you know, hearing about Revelation. It felt the same. And then when I was actually putting the book together it became so obvious because when I was writing the introduction, the smoke from the forest fires out in Oregon had literally blotted out the sun. And it had this kind of sickening red glow that covered everything. And people saw photos of it, you know, they were not photoshopped, it really, really was that profoundly kind of disturbing. And so it felt like it was unmistakable that there was a continuity here, that this kind of story of the apocalypse was one that was really coming to fruition more so than it had as an adult. You know, it was ephemeral when I was a kid, it was in my mind, but this was actually coming around me, and so I started to kind of understand it in that way.

Margaret How do you think that—because I mean, most of your work, you know, when when you message me and you're saying, "Hey I, you know, I wrote this book on the apocalypse," and I was kind of like, "No, no, no, you write about fascism." Because obviously, anyone can only do one thing and obviously I'm a living example of that. But, you know, in some ways in my mind the religious aspect of it almost answers this for me in a different way than I normally think about, again, because I, I think about the world somewhat in religious terms, but I was not raised in the same kind of—I was raised a lapsed Catholic, you know, and the apocalypse wasn't something that we really talked about. I tend to think of fascism as rising in this very, very secular way. Like I think about like the material conditions or whatever, like almost like a materialist rise of fascism or something. And, and yet, I guess there's also this, well, this religious rise of fascism quite obviously. And I was