S1E22 - Walidah Imarisha on Envisioning the Future

Episode Notes

The guest Walidah Imarisha can be found online at walidah.com. Her books referenced in this episode are Angels With Dirty Faces and Octavia's Brood, both published by AK Press.

The host Margaret Killjoy can be found on twitter @magpiekilljoy and on instagram @margaretkilljoy. You can support her and this podcast through her patreon.

Transcription:

LLWD - 22 - Walidah on Envisioning the Future 1:21:45 SPEAKERS Margaret, Walidah Imarisha

Margaret 00:14 Hello, and welcome to Live Like the World is Dying, your podcast for what feels like the end times. I'm your host, Margaret Killjoy, and this week I'll be talking to an author and activist and poet and just a historian—I'll be talking to will Walidah Imarisha who is, just, I think is absolutely wonderful. And that'll probably come across way too much in this episode. But I'm talking to her because I'm interested in talking about—well, this week is a little bit of a departure from usual, instead of just talking about the end of all things, right, we'll be talking about envisioning better things. And we'll be talking about how important—how necessary it is—to be able to imagine better things in order to make those better things real. And so we'll be talking about the importance of fiction, but we'll also be talking about what it means to envision a world, say for example, without police and prisons and how we can move towards that. And, yeah, I'm just really excited for y'all to hear this episode. This podcast is a proud member of the Channel Zero Network of anarchist podcasts. And here's a jingle from another show on the network. Duh da duh daaa...

Jingle Speaker 1 01:28 Kite Line is a weekly 30 minute radio program focusing on issues in the prison system. You'll hear news along with stories from prisoners and former prisoners as well as their loved ones. You'll learn what prison is, how it functions, and how it impacts all of us.

Jingle Speaker 2 01:39 Behind the prison walls a message is called a kite—whispered words, a note passed hand to hand, a request submitted to the guards for medical care. Illicit or not, sending a cadence trusting that other people will bear it farther along until it reaches its destination. Here on Kite Line we hope to share these words across the prison walls.

Jingle Speaker 1 01:55 You can hear us on the Channel Zero Network and find out more at kitelineradio.noblogs.org

Margaret 02:06 Okay, so if you could introduce yourself with your name, your pronouns, and then like political or organizational affiliations that kind of concern what you're going to be talking about, or maybe like the books that you've written that are about what we're going to be talking about.

Walidah 02:22 My name is Walidah Imarisha, she and her pronouns. I am a writer and an educator. I have done a lot of work on science fiction and social change, culminating in co-editing Octavius Brood: Science Fiction Stories from Social Justice Movements. I've also written the creative nonfiction book Angels with Dirty Faces: Three Stories of Crime, Prison, and Redemption.

Margaret 02:46 Oh, the fact—I've been telling people for years that my favorite book against prison is Angels with Dirty Faces. And I actually have a really hard time reading nonfiction, which is kind of embarrassing because I'm an author. And the fact that you describe it as creative nonfiction really helps explain part of why. For anyone who hasn't read it yet Angels with Dirty Faces is like, um... it's talking about prisons, but it's talking about prisons from the point of view of, like, several specific people who are in prison and, well, your interactions with them. So the reason I have you on this, like, community and individual preparation podcast is—the important—I kind of want to talk to you about the importance of actually, like, envisioning something better. And because it's this kind of cliché that, like, we know what we're against, but do we know what we're for? And sometimes I kind of hate when people ask—I actually almost always hate when people ask that—because my argument is that if you're being hit with a baseball bat, you don't actually have to articulate what you would like society to be like without someone hitting you with a baseball bat before you can get someone to stop hitting you with a baseball bat. But yet at the same time I do personally want a much better society and I know that you've done this work also, yeah, with Octavius Brood, which is just labeled visionary fiction. Is that right?

Walidah 04:13 Yeah.

Margaret 04:14 Um, could you talk about visionary fiction? And could you talk about what draws you to that? And what draws you to painting better worlds and resistance?

Walidah 04:24 Sure. Yeah. I mean, I feel—I agree with you. And I think it's a, you know, it's yes/and. And so, I also think it's really important who's asking these questions, right? Are we asking these questions of each other or people from outside being like, "Well, what do you want then?" Like, I don't really owe you anything if you're coming with that tone. Um, you know, for me, "visionary fiction," I started using that term to refer to the intersection of science fiction or imaginative fiction, fantastical art, and social change. It's deeply steeped in, you know, radical organizing, in thinking and building liberated futures. It's not a utopian project, it's really more about how can we imagine the futures we want to figure out new ways to build them into existence. So we're never going to get to those perfect futures because as science fiction writer Octavia E. Butler said, we're not going to have a utopia until we have a few perfect humans and that seems unlikely. So we won't reach utopia. But I think the practice of utopia is the useful one. And really, I mean, that is what organizing is, is thinking about this world around us and how we actually want it to be and, you know, that's the foundation of Octavia's Brood, which I co edited with Adrienne Maree Brown. The premise is all organizing is science fiction. And we believe that anytime you imagine a world without the ills we fight against, without borders, without prisons without police, that is science fiction because we haven't seen that world. But we can't build what we can't imagine. And so Octavia's Brood is fantastical writing, visionary fiction, specifically written by organizers, activists, and change-makers, the folks who are, you know, in the world trying to make it a better place. And I think that intersection of imaginative spaces and social change is not just useful, but it's absolutely imperative for us to build something other than this world around us.

Margaret 06:50 No, that makes sense. I really like the quote that you just had of, we can't build what we can imagine. That—I don't know. I like that a lot. It ties into a lot of what I what I think about with my own writing. And so this is a weird tangent, but okay, so like, so you're saying it's not a utopian project, right, even though it's sort of in some ways about envisioning utopia. And utopia has this like really mixed reputation, right? And I think so