Narcotics trafficking is a global problem. Agents who are sent to fight it can find themselves deep undercover on foreign soil. In this episode, hosts Dutch McAlpin and Giovanni Rocco sit down with retired Drug Enforcement Administration agent Frank Panessa. Frank was at the center of the case known as the “Pizza Connection," during which he infiltrated the Mafia. As former undercover agents themselves, Giovanni and Dutch are able to ask Frank all the right questions. Frank talks about his start in the DEA, going undercover as a made man, how he got his nickname “The Chameleon” and so much more. About Frank Panessa: Frank Panessa worked as an undercover DEA agent for 28 years with multiple deep cover identities. After working investigations around the world, including in the U.S., Europe, Asia and Central America, Panessa retired in 1995 as the Assistant Special Agent in Charge of the Philadelphia Division, where he supervised more than 300 law enforcement personnel. During his DEA tenure, he proudly served as the Italian U.S. Embassy’s chief liaison to Italian police agencies on narcotics and organized crime. Season One of Inside the Life is presented by Levy Online and Levy Production Group. To watch episodes of this podcast, visit YouTube For behind-the-scenes photos, merchandise and exclusive content, visit insidethelife.org For more on the Museum visit themobmuseum.org This program is presented by The Mob Museum and includes views and opinions of independent panelists and/or interviewees that do not necessarily reflect or represent the stance of The Mob Museum. Factual statements made by panelists/interviewees have also not been vetted by the Museum, and the Museum does not assert that such statements are truthful. All statements should be understood as the individual’s perspective rather than a view expressed by The Mob Museum. This program has been made available by The Mob Museum for the private, non-commercial use, of its audience. Such private use is intended for informational and educational purposes only. This program is subject to copyright protection, and those seeking to utilize the program, or portions thereof, for anything other than private use should contact The Mob Museum at
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