What’s it like going from drum tech to mixing stadium shows for legends? In this week’s Gig Gab, you join Scottie Baldwin and Dave Hamilton as they dive into the artistry behind live sound. From getting the call from Prince’s drummer to Sheila E nudging him toward sound, Scottie shares tricks like frequency gating and translating wild artist requests—think Gaga’s “lavender knife”—into killer mixes. You’ll get insight into how musicality trumps technicality, why mixing is more like managing real estate, and how to blend audience energy with screen-streaming perfection. Always Be Performing isn’t just a catchphrase—it’s a mindset Scottie lives onstage and behind the board. You’ll walk away with tactical takeaways: define your audience avatar, teach your engineer with clarity, and keep a Dropbox of reference tracks. Whether you’re prepping a show for JJ Lin in Asia or working FOH like Scottie did for Prince, this episode is packed with practical wisdom. Learn why adding song titles to count-offs matters, why great gear relationships matter even more, and how timecode and iPads are redefining tour precision. There’s even a sharp take on Phish’s mixes and the culture gap in musicianship. Get in, geek out, and level up your live game. 00:00:00 Gig Gab 479 – Monday, April 28th , 2025 April 28th: National Blueberry Pie Day Guest co-host: Scottie Baldwin 00:01:39 Eddie Van Halen’s Jump guitar solo started it all… 00:02:38 Michael Bland, Prince’s drummer brings on a non-drummer as his drum tech 00:03:29 Sheila E says Scottie should do sound! 00:06:54 Scottie’s Trick for Drums: Frequency Gating Always Be Musical 00:08:37 Gaga said make me sound like a lavender knife Being a live sound producer The value of the musicality Understanding the purpose 00:12:07 Dissecting mix collision Mixing is a real-estate game 00:16:18 Engineers mixing for a screen vs being an audience member 00:18:05 Working as a team with an artist 00:19:58 Prince wanted to make sure fans’ kids heard the lyrics 00:21:36 Not reading music was…a feature! 00:24:09 Learning the culture of the music you’re creating Mixing the show for JJ Lin 00:27:05 Find an avatar that represents your audience 00:30:11 “Today, it’s my building” 00:32:49 Speaking Mandarin 00:35:10 Learning how to teach an engineer what you’re doing/wanting Make three, easily-digestible bullet points Name artists that you want to sound “like” Use a Dropbox to share songs 00:41:25 Adding the name of the song to your count-offs The Fray Or just add the song 00:47:19 Have good relationships with your gear, the artist, and the material Yamaha Rivage 00:48:36 Engaging with the crowd Dave Hampton , Scottie’s Mentor 00:54:03 Being a Live Sound Engineer AND a Recording Engineer at the Same Time Dave’s concerns about Phish being mixed for the stream and not for the room One Night Alone…Live! – Scottie’s FOH mix 00:58:58 Cutting a record every night 01:03:43 Mixing Monitors 01:10:01 Prince’s monitors and his producer-brain 01:16:51 Everyone on JJ Lin’s tour is on timecode and iPads Level of musicianship in Asia is higher than here in the US — Scottie Baldwin Jolin Tsai 01:20:36 Gig Gab 479 Outtro Follow Scottie Baldwin Contact Gig Gab! @GigGabPodcast on Instagram
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