Today, I’m thrilled to announce my episode with Tony winning librettist and performer Bob Martin, who is the author of two of this season’s newest hits—SMASH and BOOP—both of which started previews on Broadway this week. Tune in to hear about the writing processes of those two musicals, and some of the other stories of his legendary career, including why he was sore every night after performing THE DROWSY CHAPERONE, the character he almost played in THE PROM, writing for the film adaptation of that musical, why he loves writing for Beth Leavel, the challenges of working on MINSKY’S, changing ELF between its three Broadway runs, what he learned from Charles Strouse and Thomas Meehan, revisiting unsuccessful musicals in HEY, LOOK ME OVER, how supply chain issues have affected Broadway, developing THE STING with Harry Connick, Jr., working with Kevin Kline on AMERICAN CLASSIC, his idea for a sequel to THE DROWSY CHAPERONE, revising KISS ME, KATE in London, and so much more. You won’t want to miss this honest and fun conversation with one of Broadway’s funniest and most prolific writers.
