A dance class can be a mirror or a wall, and too many families know what it feels like to be shut out. We sit down with filmmaker and former dancer Dan Watt to unpack how his Emmy-winning documentary Everybody Dance came to life, why he searched for months to find the right inclusive ballet school, and what “access” looks like when it’s built into the culture instead of bolted on at the end. Dan walks us through the choices that shape ethical disability representation in film: earning ...