Episode 218 The #Indie-TraditionalTradeoff
This episode springs from a question asked in the #AmWriting Facebook group (if you’re not in it, you should be): Sarina has talked about her decision to be independently published, but we’ve never heard from Jess and KJ about why they go the traditional route.
We discuss the three things you should think about when making the Indie/Traditional call, why you need to think hard about airport bookstores and finding the print ratio—and the good and bad reasons for making this choice.
#AmReading
Sarina: Boyfriend Material by Alexis Hall
KJ: The Exit Strategy by Lainey Cameron
Jess: The Mountains Wild by Sarah Stewart Taylor
(listen to the #AmWriting episode with Sarah here)
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KJ Dell'Antonia 0:00
Writers, it's KJ. The #AmWriting podcast is excited to tell you about our new sponsor, Dabble Writing software. We invited Dabble to join the #AmWriting team because we are in love with the plotting tools and intuitive interface. And I want to tell you something else I love about it, what they call the focus fade. I barely even noticed when it first started to happen, but any details that are open in the sidebars of your Dabble document fade away automatically as you write, leaving you with nothing but a beautiful clear space to work in until you need them and send your cursor in that direction, then they're back in a flash. It makes for a great distraction-free writing environment. Find out more and do a free trial at dabblewriter.com. Is it recording?
Jess Lahey 0:47
Now it's recording.
KJ Dell'Antonia 0:50
This is the part where I stare blankly at the microphone trying to remember what I'm supposed to be doing.
Jess Lahey 0:54
Alright, let's start over.
KJ Dell'Antonia 0:55
Awkward pause. I'm gonna rustle some papers. Okay, now one, two, three.
Hey, I'm KJ Dell'Antonia. And this is #AmWriting. #AmWriting is the podcast about writing all the things, fiction, nonfiction, books, essays, pitches, proposals long form, short form. In short, this is the podcast about sitting down and getting your work done.
Jess Lahey 1:25
Hi, I'm Jess Lahey, and I am the author of The Gift of Failure and the upcoming The Addiction Inoculation, which will be out in April of 2021. And you can find my work in lots of places, including the Atlantic, The New York Times, and Washington Post.
Sarina Bowen 1:39
And I'm Sarina Bowen, the author of 35 romance novels. You can always find my work at sarinabowen.com or wherever e-books are sold.
KJ Dell'Antonia 1:52
I am KJ Dell'Antonia. I'm the author of the novel, The Chicken Sisters, which you heard it here first is now not coming out until December at the earliest. But that's okay. Really, totally fine, whatever. I'm also the author of How to Be a Happier Parent, the former editor of the New York Times' Motherlode blog, still sometimes a contributor there. And I'm just wrapping up a revision of a draft of my next (hopefully) novel. So that's what I'm doing. And I should say that I am not recording where I normally record because, you know, I lost the the officemate battle of of the the work at home universe.
Jess Lahey 2:45
I know we have a topic today, but before we get to the topic, I just wanted to say, KJ mentioned that she just finished a draft. And it has struck me that I knew from the beginning from a long time ago that your deadline for that first draft of the next book was June 1. And it has been a crazy, crazy time. This was a self-imposed deadline. No one made you do this by this by this June 1 thing, and yet you hit it and I just I don't know if I'd had a chance to tell you this before but I was just so impressed that given everything that's going on and the fact that it was a self-imposed deadline, that you made it
KJ Dell'Antonia 3:52
Well thank you. It probably should be said that it was not the first deadline. I was looking back at my bullet journal and noticing that in April, it had draft to Karen (that's my agent) as a goal. So it took at least an extra month beyond what I was hoping. But, I did get it done. I did get a draft to her. She's made some comments, which were extremely helpful. And I have done the hardest part of the revisions and I expect to have the revisions back to her this weekend. And then we shall see if it's time to try to sell it or time for me to just take another pass.
Jess Lahey 4:37
It's exciting. It is super exciting.
KJ Dell'Antonia 4:39
It is. I'm feeling really good about it. But you know, ask me tomorrow.
Jess Lahey 4:43
Who wants to announce our topic today?
KJ Dell'Antonia 5:02
We have an actual topic. This is how people know we're not a scripted podcast, we could be because we could have like this really smooth flow could be like, and Jess will say, and I can tell podcasts that are like that. And it isn't that I don't love them. It's that I'm too lazy, I think.
Jess Lahey 5:19
They're very time intensive and I have to say from the beginning we knew what we wanted out of a podcast. This is what we wanted. So welcome to our world.
KJ Dell'Antonia 5:29
Well, somebody asked on the Facebook group, I think and if you're not in our Facebook group, you totally should be. Someone said, 'We've heard Sarina discuss her decision to go indie, but we've never heard Jess and KJ, talk about their decision to go traditional.' And also, Sarina has been traditionally published in the past as well. So, we thought we'd just talked about that.
Jess Lahey 6:00
There are very specific reasons, but it also challenges sort of the status quo, which, you know, get five years ago even, when Sarina started this, you know why you would choose to go traditional isn't a quest
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