Episode 214 Learning to Be #GenreFlexible with Catherine Newman

Why stick to any one genre? Our guest this week is Catherine Newman: memoirist, middle grade novelist, etiquette columnist and now the author of How to Be a Person: 65 Highly Useful, Super-Important Things to Learn Before You’re Grown-Up. While she’s at it, she writes a cooking blog, co-authored a book on crafts for kids and edits ChopChop, a kids cooking magazine. And she pens frequent funny essays for everything from O to the New York Times to the Cup of Jo website. In other words, she’s putting a pastiche of writing together and making it work with an insouciant disregard for any and all advice about self-branding or owning an niche or sticking to one topic or identity.

In fact, I’d argue that “insouciant disregard” might just BE her brand.

This episode also includes the immortal words “I’ve never had to kill anything during the podcast before,” uttered by Jess—so that’s a reason to listen right there. But there are plenty of others—this is a real nitty gritty episode on building a career and getting things done.

#AmReading

KJ: Henna Artist by Alka Joshi

Recipes for a Beautiful Life by Rebecca Barry

Jess: Sure Shot by Sarina Bowen

Animal, Vegetable, Miracle by Barbara Kingsolver

Missing You by Harlan Coben

Catherine: Know My Name by Chanel Miller

Sea Wife by Amity Gaige

The Chicken Sisters by KJ Dell’Antonia

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Find more about Jess here, Sarina here and about KJ here.

KJ Dell'Antonia 0:00

Hey writers KJ here. Usually I write down what I'm going to tell you in our pre episode, promotional blurb, whatever you want to call this, and I will say right away that of course we are, as always sponsored by our friends at Author Accelerator, who we love. This week, instead of writing down some great reasons why we love them I just wanted to take a minute to read to you from the email that I got from Jenny Nash this week. This is her weekly email that goes out to anyone who's on the Author Accelerator list, or read every single one of those and I cannot say that about almost any other weekly email I get, there a couple. Anyway, Jenny writes, "I was speaking with a writer this week who could see the light at the end of the tunnel on her novel. She was almost done and she was terrified. She could feel herself panicking and turning to other shiny new ideas. Anything that wasn't this almost done idea. Being done would mean that her work could be rejected. Being done would mean that her work could be judged. Being done would mean that her limitations and weaknesses as a writer would be on display for everyone to see. Being done would mean that whatever she had on the page was as good as she was able to do. Even if it wasn't anywhere close to the perfect story in her mind. Being done would mean that she would be exposed." I could really, really relate to that. And I think I'm not the only one. A lot of us start to let things go the minute we get anywhere close to the finish line, because the finish line is scary. And if that's the place where you are maybe now is the moment when you want to reach out and see about working with a writing coach. You might not need much a few weeks, a little bit of a push, a little bit of help, just to take that thing that you're working on, and get it through to not the almost best you can do (which you know allows a lot of room for imagining other things) but the actual best you could do and then make a real decision about what it is you'd like to do with it. If you're game for that, you should head over to authoraccelerator.com and click your way through to all the great places because we love them and there's also a lot of other good stuff there. While I'm here I also want to say that this episode includes a couple of small swear words here and there and also some weird commentary on vaginas. Because this is one of our dearest friends we're interviewing this week and we got a little bit weird. So letting you know that so if you have tiny ears around that you are concerned about? Honestly, it's no big on this one. I don't think that it will bother you, but I wanted to give you a heads up. Alright. Enjoy it. This is a great episode. Is it recording?

Jess Lahey 2:51

Now it's recording.

KJ Dell'Antonia 2:53

This is the part where I stare blankly at the microphone trying to remember what I'm supposed to be doing.

Jess Lahey 2:57

Alright, let's start over.

KJ Dell'Antonia 2:58

Awkward pause. I'm gonna rustle some papers. Okay, now one, two, three.

Hey, I'm KJ Dell'Antonia. And this is #AmWriting. The podcast about writing all things, from fiction, to nonfiction, pitches, proposals, emails, essays. This is the podcast about sitting down and getting your writing work done.

Jess Lahey 3:27

I'm Jess Lahey, I'm the author of The Gift of Failure and the forthcoming book The Addiction Inoculation, Raising Healthy Kids in a Culture of Dependence, who the subtitles are always so tricky, and you can find my work on the old interwebs at The Atlantic and the New York Times and The Washington Post and lots of other places.

KJ Dell'Antonia 3:58

I am KJ Dell'Antonia, the author of the novel The Chicken Sisters coming out on July 1 of this year, which is 2020. For those of you listening in the future, when I hope things are not what they are now, but that is not what we are going to talk about today. We have a guest, our guest is Catherine Newman, who we've actually been trying to record with Catherine since like since like our 10th episode. But wait, I want to tell you about Catherine, she is a memoirist, a middle grade novelist, and etiquette columnist and now the author of How to Be a Person: 66 Highly Useful, Super Important Things to Learn Before You're Grown Up.

Jess Lahey 4:57

It's actually 65, but I think that we should invent a 66 while we're here.

KJ Dell'Antonia 5:22

Okay, no, I wasn't done. I wasn't done - because while she's at it, Catherine writes a cooking blog, she co-authored a book on crafts for kids, and she edits Chop Chop, a kid's cooking magazine, which I didn't even know till I just recently read her bio because I never read the bios of my friends because I'm supposed to know all this stuff, but I didn't. And she pens frequent funny essays for everything from O to The New York Times to The Cup of Joe website. In other words, she's putting a pastiche of writing together and making it work with an insouciance disregard for any and all advice about self branding, or owning a niche, or sticking to one topic or an identity, and in fact, I w