TV Makers

Andy Mundy-Castle - Founder of Doc Hearts, and director of BAFTA-winning White Nanny, Black Child , joins TV Makers to unpack the real craft of documentary storytelling and what it genuinely takes to run a purpose-led indie in one of the toughest TV markets we've ever seen. Andy shares how his background and lived experience shaped his filmmaking: stories rooted in truth, crafted with cinematic ambition, and always led by empathy over exploitation. We break down his creative “toolkit” and how he uses structure, emotional pacing, and careful contributor relationships to protect authenticity without losing audience engagement. Andy also opens up about the realities of entrepreneurship in TV: early-business near-bankruptcies, delayed commissions, surviving the festival circuit, navigating distribution, building culture inside a small team, and why networking is still key. Plus his unfiltered take on the industry’s existential moment - fewer, bigger, better; digital disruption; burnout; and why now is the time for creatives to diversify, industrialise their skills and rediscover the value of good storytelling. If you’re directing, developing your own docs, juggling career crossroads or considering starting a production company, this episode is packed with lived experience, practical frameworks and the kind of honesty rarely said out loud in TV. Enjoying the new series? Please share, rate and subscribe. Whether you're watching on YouTube or listening on your favourite podcast app, drop us a comment or connect with us on Instagram at @tvmakerspod . Thank you to our Sponsors: RIMMS - https://www.rimms.tv The Kit House - https://www.kithouserental.co.u k Directed By Good - https://www.directedbygood.com Edited By Ben Seal Recorded by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

John Comerford, Head of Naked West, lifts the lid on how iconic legacy shows like Grand Designs, Escape to the Country and Great British Railway Journeys stay relevant after decades on air - and what it really takes to future-proof long-running television in a digital-first world. From leadership lessons learned across an impressive career, to keeping Kevin McCloud, Michael Portillo and the team behind the cameras creatively energised, John explains how teams protect the core of a heritage brand while still needing to evolve it for new audiences. We dive into why legacy shows don’t die because digital grows, the real reasons some formats fade away, how social and spin-offs like Grand Designs Deconstructed are assisting the TV landscape, and the one warning every producer should take seriously: don’t enter “the dying rooms” by failing to innovate. If you’re making long-running series, pitching new IP, or trying to understand how broadcast and digital work together now, this episode is essential listening. Enjoying the new series? Please share, rate, and subscribe. Whether you’re watching on YouTube or listening on your favourite podcast app, drop us a comment or connect with us on Instagram at @tvmakerspod . Got a question or guest suggestion? Email [email protected] Thank you to our Sponsors: RIMMS- https://www.rimms.tv The Kit House - https://www.kithouserental.co.uk Directed By Good - https://www.directedbygood.com Recorded by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

John Comerford, Head of Naked West, lifts the lid on how iconic legacy shows like Grand Designs, Escape to the Country and Great British Railway Journeys stay relevant after decades on air - and what it really takes to future-proof long-running television in a digital-first world. From leadership lessons learned across an impressive career, to keeping Kevin McCloud, Michael Portillo and the team behind the cameras creatively energised, John explains how teams protect the core of a heritage brand while still needing to evolve it for new audiences. We dive into why legacy shows don’t die because digital grows, the real reasons some formats fade away, how social and spin-offs like Grand Designs Deconstructed are assisting the TV landscape, and the one warning every producer should take seriously: don’t enter “the dying rooms” by failing to innovate. If you’re making long-running series, pitching new IP, or trying to understand how broadcast and digital work together now, this episode is essential listening. Enjoying the new series? Please share, rate, and subscribe. Whether you’re watching on YouTube or listening on your favourite podcast app, drop us a comment or connect with us on Instagram at @tvmakerspod . Got a question or guest suggestion? Email [email protected] Thank you to our Sponsors: RIMMS- https://www.rimms.tv The Kit House - https://www.kithouserental.co.uk Directed By Good - https://www.directedbygood.com Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

Channel 4’s Senior Commissioning Editor and Business Operations Lead for Digital, Laura Marks, reveals the insider rules behind digital commissioning, what most producers get wrong, what Channel 4 really looks for and how to create digital gold in a post-linear world. From understanding the “minus 10 seconds” rule for thumbnails to balancing data with gut instinct, Laura breaks down how her team commissions content for YouTube and social platforms, why not everyone can do it, and why risk, access, and creativity still matter more than algorithms. If you’ve ever wondered how to pitch to Channel 4 Digital, what defines a true “YouTube-first” idea, or how traditional TV teams can adapt to the changing landscape, this episode is essential listening! Enjoying the new series? Don't underestimate the power of the share, rate, and subscribe bit! It really helps! Whether you’re watching on YouTube or listening on your favourite podcast app, drop us a comment, or connect with us on Instagram at @tvmakerspod Got a question or guest suggestion? Email us at [email protected] Thank you to our Sponsors: RIMMS- https://www.rimms.tv The Kit House - https://www.kithouserental.co.uk Directed By Good - https://www.directedbygood.com Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

What happens when a podcast refuses to play by podcast rules? To kick off Series 4 of TV Makers , I sit down with Anthony Smith - Director of Trailers for The Diary Of A CEO - to uncover how a show once told it had “no right” to build a full-scale production has become one of the biggest podcasts in the world. Anthony takes us inside the trailer strategy that’s helped drive that success - from the must-have ingredients of a killer trailer to the tiny, deliberate beats that make people stop scrolling and lean in. He then shares how data and analytics supercharge that creativity: testing thumbnails, analysing performance, and crafting every moment with purpose. We talk: Why podcasting has outpaced TV on audience insights and targeting How data and creativity work together to create “must watch” trailers Why trailers are now one of the most powerful storytelling tools in the business And what TV can learn from digital if it wants to catch up. If you work in TV and want to understand the shift that’s already happened, this one’s for you. Hit play, and let’s get into it. Enjoying the new series? Please share, rate, and subscribe. Whether you’re watching on YouTube or listening on your favourite podcast app, drop us a comment, or connect with us on Instagram at @tvmakerspod Got a question or guest suggestion? Email us at [email protected] Thank you to our Sponsors: RIMMS - https://www.rimms.tv The Kit House - https://www.kithouserental.co.u k Directed By Good - https://www.directedbygood.com Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

True Crime, Tough Calls, and the Role of the Series Producer For the Series 3 finale of TV Makers , we're joined by Award-winning Series Producer Zoe Hines, behind some of Netflix's biggest shows including the acclaimed, I Am a Killer . Zoe lifts the lid on what it really means to lead a high-profile, ethically complex documentary series—discussing everything from legal and editorial responsibilities to the professional care of victims, contributors, and production teams. We also dig into the role of an SP, her perspective on the rising expectation for SPs to shoot, and how she sets up systems to protect teams on the ground and in the edit. If you heard the intro where I gush over Peak Design: check them out here . If you want to get in touch with Zoe, she can be found on LinkedIn, here . Thanks again for listening, and we'll see you in Series 4! Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

Post-production is an ecosystem of constant decisions for an ever-changing goalpost… so what does it take to run post at a major broadcaster like Sky? This week on TV Makers , I sit down with Adam Downey , Director of Post Production at Sky, to find out how he keeps one of the UK’s biggest post departments running—smoothly, sustainably, and at serious scale. We talk tight schedules, futureproofing systems, the human side of leadership, and why understanding post earlier in the process can save everyone time, money, and a whole lot of stress. Adam’s mission? To demystify post and help all of us—across production and editorial—work smarter, not harder. If you’ve ever handed over to post and crossed your fingers… this one’s for you. 🎧 Hit play, and let’s go. Enjoying the series? Please share, rate, and subscribe. You can follow us on Instagram @tvmakerspod, or email [email protected] with guest suggestions or questions. Let’s keep the conversation going! Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

Publicists! Often portrayed as the mysterious force behind the scenes—crafting hype, dodging scandal, and spinning gold from a well-placed quote. But how much of that is myth, and what does brilliant PR really look like in today’s TV landscape? This week we’re joined by Gem Pinkney , Director of TV at Multitude Media and a master of the campaign game. From knowing which assets will actually cut through (hint: AI might be choosing them for you…) to explaining why bringing PR in early— not just when there’s a crisis —can be the key to turning a good show into a hit, Gem reveals how PR can make or break a series. Without a strategic PR campaign, your show might not just struggle—it might not even be seen. Or… with the right help, you might just be on your way to accepting that BAFTA?! So what are you waiting for, stop reading this, and get to listening! If you’ve been enjoying the series, please share, rate, and subscribe. We’d love to hear from you—drop us a comment in your podcast app or connect with us on Instagram at @tvmakerspod, where we post all our behind-the-scenes content. Got any questions or ideas for future guests? You can email us at [email protected]. Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

Talent Agents! — cloaked in TV myth as orchestrators of extravagant demands, from bowls of blue M&Ms to first-class travel for their star clients. Let’s separate fact from fiction and uncover what really goes on in the world of talent representation! This week we’re joined by Alex Segal, Managing Director of InterTalent, one of the UK’s largest talent agencies. With over a decade at the helm, Alex shares what it takes to sign, manage, and book talent. Oh, and about that word “talent”… should we even be using it? We’ll talk about that too! We’ve seen an avalanche of “talent” self-destruct in recent years, leaving chaos in their wake. So, how do Talent Agents stop their clients from getting too big for their proverbial boots—and how can they help steer them back on track? You can learn more about Talent agents with Alex's extremely honest blog "Dealmakers" here and check out InterTalent here ! If you’ve been enjoying the series, please share, rate, and subscribe. We’d love to hear from you—drop us a comment in your podcast app or connect with us on Instagram at @tvmakerspod, where we post all our behind-the-scenes content. Got any questions or ideas for future guests? You can email us at [email protected]. Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

You survived to ’25! And as your reward, here’s a brand-new episode of TV Makers ! Kicking off the year, I welcome Kimberly Godbolt, co-founder of Talented People and all round media advocate, or as some like to call her, the “ Friendly Disruptor.” Kimberly shares her expertise in spotting top industry talent, what she looks for in standout CVs, and how hiring managers can sharpen their interview techniques (and processes) to secure the best candidates. As some of you know, Kimberly isn’t afraid to speak up—even when it means facing criticism for championing the underdog. We dive into how freelancers and companies alike can embrace fairer, more inclusive hiring practices and balancing bold advocacy with business demands. Whether you’re looking to hire smarter, elevate your career, or navigate the evolving TV job market, this episode is packed with Kimberly’s invaluable insights—straight from the “talented person” herself! Links & Resources: Learn more about Kimberly’s work: TalentedPeople.tv Follow TV Makers on Instagram: @TVMakersPod Connect with host Ashley: LinkedIn or email [email protected] Enjoyed the episode? Rate, review, and subscribe to TV Makers —your easiest New Year’s resolution! Share your thoughts or ideas for future episodes. Here’s to an amazing 2025—let this episode inspire you to not just survive ’25 but thrive in ’25! Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

If you missed last weeks full Christmas Special Episode, go back and give it a listen. But for those wanting pure TV Makers interview, this is the standalone interview with Will Becher, the Supervising Animator for Wallace and Gromit: Vengeance Most Fowl Premiering on BBC One and iPlayer at 6:10 pm on Christmas Day! Supervising Animator Will Becher joins us to reveal the artistry, challenges, and meticulous craftsmanship that go into bringing these beloved characters to life. The Film and TV Charity information and Links: Our Support Line is open 24/7, 365 days of the year. It's staffed by qualified Counsellors, who are always available for in the moment support. The Support Line can also refer you for financial and legal advice (in office hours) Anyone working in Film, TV or Cinema can also ask for a referral to six sessions of one-to-one Counselling (available in person or remotely). Counselling sessions are free and the referrals are very quick, subject to a clinical assessment. More information is available here: Mental health and wellbeing | The Film and TV Charity The Film and TV Charity also provides a Bullying Advice Service (closed for the w/c 23rd Dec and 30th Dec but you can book an appointment here Bullying Advice Service | The Film and TV Charity Also one-to-support from our Work and Wellbeing Service to anyone who is facing barriers at work (whether that's because they are a member of a marginalised group, coping with caring responsibilities, loneliness etc) - more details available here: Coaching with work and wellbeing | The Film and TV Charity If anyone wants to support others in the Industry it would be great if they could consider donating to our Winter Appeal: Supporting the film, TV, and cinema… | The Film and TV Charity For all enquiries you can email [email protected] As always don't forget to rate, comment and subscribe to the podcast and follow on instagram @tvmakerspod for special behind the microphone content. Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

Welcome to a very special Christmas edition of TV Makers ! We’re adding a sprinkle of festive magic as we go behind the scenes of Wallace and Gromit: Vengeance Most Fowl , premiering on BBC One and iPlayer at 6:10 pm on Christmas Day. Supervising Animator Will Becher joins us to reveal the artistry, challenges, and meticulous craftsmanship that go into bringing these beloved characters to life. But that’s not all! We’re embracing the Christmas spirit with a festive chat featuring TV friends and professionals discussing what makes holiday TV specials truly special and the creative pressures behind crafting Christmas magic for millions of viewers. And it wouldn’t be Christmas without a game! In a Taskmaster -inspired challenge, we pitch the next big Christmas TV format for 2025—complete with laughs and a surprise prize giveaway. Commissioners, take notes! So whether you’re wrapping gifts, cooking up a feast, or doing some last-minute shopping, grab a mince pie and join us for TV Makers: The Christmas Special ! The Film and TV Charity information and Links: Our Support Line is open 24/7, 365 days of the year. It's staffed by qualified Counsellors, who are always available for in the moment support. The Support Line can also refer you for financial and legal advice (in office hours) Anyone working in Film, TV or Cinema can also ask for a referral to six sessions of one-to-one Counselling (available in person or remotely). Counselling sessions are free and the referrals are very quick, subject to a clinical assessment. More information is available here: Mental health and wellbeing | The Film and TV Charity The Film and TV Charity also provides a Bullying Advice Service (closed for the w/c 23rd Dec and 30th Dec but you can book an appointment here Bullying Advice Service | The Film and TV Charity Also one-to-support from our Work and Wellbeing Service to anyone who is facing barriers at work (whether that's because they are a member of a marginalised group, coping with caring responsibilities, loneliness etc) - more details available here: Coaching with work and wellbeing | The Film and TV Charity If anyone wants to support others in the Industry it would be great if they could consider donating to our Winter Appeal: Supporting the film, TV, and cinema… | The Film and TV Charity For all enquiries you can email [email protected] As always don't forget to rate, comment and subscribe to the podcast and follow on instagram @tvmakerspod for special behind the microphone content. Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

Siobhan O’Donnell is an exceptional Floor Manager with decades of experience working on some of the UK’s most iconic television moments. Siobhan shares jaw-dropping anecdotes, from the time she had to literally crawl past dthe Queen to get to the Prime Minister, to wrangling the Teletubbies on set, and even the nerve-wracking moment she had to tell Cilla Black that someone forgot to press record. We talk about making your way up the floor managing ladder, why you shouldn’t wait for your predecessor to retire and what exactly the gallery expects of you as the eyes and ears on the ground. Don’t forget to rate, comment, and subscribe! You can find the Facebook runners group here This episode is a must-listen for anyone fascinated by what it takes to bring live TV to life and keep the show on track—no matter what chaos unfolds on set. Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

Unlock the potential and support for your next project with ScreenSkills! Emily Gunn, HETV Engagement & Projects Manager for the South and Midlands, is here to guide us every step of the way as to how ScreenSkills could help you us navigate this industry and come out on top. Emily works across engagement and training for HETV freelancers across the UK, supporting the growth and expansion for a diverse workforce in the screen sector. She has worked the last ten years in television starting in camera in Soho, working her way through to film licencing for multiple London boroughs and now championing skills through diversity and inclusion programmes for High-end TV at ScreenSkills. You can get in contact with Emily via Linkedin here TV Makers is your go-to podcast for staying ahead in your career, where we explore the ever-evolving landscape of our industry. Join us bi-weekly as we feature a diverse range of professionals from all corners of filmmaking. Subscribe, rate, and share to ensure you never miss an episode and stay up to date with all the latest insights and trends. Thank you for tuning in and being a part of our community. Your support means the world to us! Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

Award-winning multi-cam and fixed rig Entertainment Director Abigail Dankwa is a powerhouse you need to know, learn from, and listen to! With BAFTA and RTS awards, a Grierson nomination, Directors UK board member, recognition as a BAFTA Breakthrough, Edinburgh Festival’s Ones to Watch, and Broadcast Magazine Hot Shot, Abigail’s journey to The Director’s Chair is nothing short of incredible. In this episode, we discuss her challenges, including her thoughts on the label of "risk" in hiring decisions, and explore how the industry can change that. We also dive into her thoughts on failure with an unforgettable story with Danny Boyle - Yes, that Danny Boyle. If you’re ready for an inside look at what it takes to become a multi-cam director, buckle up for this dynamic episode of TV Makers ! Also, here’s the link to one of Abigail’s must see pieces of multi cam work, Strictly Come Dancing 2018 Launch! https://youtu.be/UxsVTH78s_8?si=w21FcrZFPLBhblgo TV Makers is your go-to podcast for staying ahead in your career, where we explore the ever-evolving landscape of our industry. Join us bi-weekly as we feature a diverse range of professionals from all corners of filmmaking. Subscribe, rate, and share to ensure you never miss an episode and stay up to date with all the latest insights and trends. Thank you for tuning in and being a part of our community. Your support means the world to us! Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

Emile is a BAFTA-nominated and SAFTA-winning Commissioning Executive at UKTV, who is at the forefront of factual and factual entertainment series on channels like Dave, W, Yesterday, and Gold as well is UKTV's digital platform "U". In this episode, Emile is exceptionally open and candid in sharing insights into his role as a creative executive producer, what exactly a commissioner does, what it felt like to make that leap from production to broadcast and if we'll even need commissioners in the future with the rise of Artificial Intelligence and the amount of data we now have access to... Emile also highlights his commitment to pushing creative boundaries, improving representation in the industry and what he's looking for in the next big commissions. TV Makers is your go-to podcast for staying ahead in your career, where we explore the ever-evolving landscape of our industry. Join us bi-weekly as we feature a diverse range of professionals from all corners of filmmaking. Subscribe, rate, and share to ensure you never miss an episode and stay up to date with all the latest insights and trends. Thank you for tuning in and being a part of our community. Your support means the world to us! Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

Edinburgh TV Festival SPECIAL! In a 2 part special, we hear from some incredible attendees at the festival and get their insights on what they’ve taken from TV’s must attend event of the year and where our industry is going for the next 12 months. Across the two parter, you’ll hear from: Rowan Woods, the creative director of this year’s festival and what's planned; Kimberly Godbolt of Talented People and The Imposter Club Podcast speaking on some hard truths of where the industry is at; Jo Ball, the powerhouse MD of Ricochet in what it takes to run a company and the art of being nice. Andy Wilman, the mastermind behind The Grand Tour, Top Gear, and Clarkson’s Farm speaking on passing the torch to those coming up. James Taylor-Tovey, co-chair of Bectu Unscripted, about keeping freelancers at the centre of this years conversation. Emile Nawagamuwa, UKTV commissioner on the subject of class and what a commissioner is up to at the TV event of the year! Yani Ahmed about diversifying her skills when faced with an uncertain tv landscape. Steph Lacey on Access co-ordinators and the importance to pre plan instead of scramble. Abigail Dankwa, Multi cam director and an intro in how to approach the festival (with bonus karaoke). Get in touch either on instagram @tvmakerspod or email on [email protected] TV Makers is your go-to podcast for staying ahead in your career, where we explore the ever-evolving landscape of our industry. Join us bi-weekly as we feature a diverse range of professionals from all corners of filmmaking. Subscribe, rate, and share to ensure you never miss an episode and stay up to date with all the latest insights and trends. Thank you for tuning in and being a part of our community. Your support means the world to us! Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

Edinburgh TV Festival SPECIAL! In a 2 part special, we hear from some incredible attendees at the festival and get their insights on what they’ve taken from TV’s must attend event of the year and where our industry is going for the next 12 months. Across the two parter, you’ll hear from: Rowan Woods, the creative director of this year’s festival and what's planned; Kimberly Godbolt of Talented People and The Imposter Club Podcast speaking on some hard truths of where the industry is at; Jo Ball, the powerhouse MD of Ricochet in what it takes to run a company and the art of being nice. Andy Wilman, the mastermind behind The Grand Tour, Top Gear, and Clarkson’s Farm speaking on passing the torch to those coming up. James Taylor-Tovey, co-chair of Bectu Unscripted, about keeping freelancers at the centre of this years conversation. Emile Nawagamuwa, UKTV commissioner on the subject of class and what a commissioner is up to at the TV event of the year! Yani Ahmed about diversifying her skills when faced with an uncertain tv landscape. Steph Lacey on Access co-ordinators and the importance to pre plan instead of scramble. Abigail Dankwa, Multi cam director and an intro in how to approach the festival (with bonus karaoke). Get in touch either on instagram @tvmakerspod or email on [email protected] TV Makers is your go-to podcast for staying ahead in your career, where we explore the ever-evolving landscape of our industry. Join us bi-weekly as we feature a diverse range of professionals from all corners of filmmaking. Subscribe, rate, and share to ensure you never miss an episode and stay up to date with all the latest insights and trends. Thank you for tuning in and being a part of our community. Your support means the world to us! Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

In the grand finale of Series 2, we're closing with a bang! Please welcome Emmy Award-winning director Jessica Hobbs, renowned for her work on The Crown, Broadchurch, The Regime, and Apple Tree Yard. Jessica shares her insights on directing and reveals the secrets behind crafting some of the most captivating television of the past decade. Don't miss this exclusive conversation with one of TV's most visionary creators. Jessica talks about what it is to create tension on screen with actors, gambling on a set build, rolling without rehearsals and being rejected from film school...twice! Jessica also highlights a crucial service that supports parents in the television industry by providing on-set crèches. This incredible initiative is led by The Wonder Works, which you can learn more about here : It might be the last episode of Series 2 but I want to hear from you with what you want out of Series 3. Get in touch either on instagram @tvmakerspod or email on [email protected] TV Makers is your go-to podcast for staying ahead in your career, where we explore the ever-evolving landscape of our industry. Join us bi-weekly as we feature a diverse range of professionals from all corners of filmmaking. Subscribe, rate, and share to ensure you never miss an episode and stay up to date with all the latest insights and trends. Thank you for tuning in and being a part of our community. Your support means the world to us! Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

Starting out in the TV Industry? Listen closely to Lottie Targett's tips and tricks in how to survive as a Runner on your next show! Not just one for the burgeoning new recruits of television but Lottie's no holds barred opinion on what life is like in TV, paired with her incredible enthusiasm is bound to make any veteran remember their own experiences and life lessons that might make them question how best to run their shoots now. In the 2 years she spent as a runner, Lottie has an impressive CV racking up credits on; Squid Games: The Challenge, Britains Got Talent, Next Level Chef, The Apprentice and tonnes more. So have your sharpies at the ready, make notes, grab a coffee and take a listen to this next episode of TV Makers. If you want to get in touch with Lottie, you can find her on Instagram @lottie.targett and Talent Manager . TV Makers is your go-to podcast for staying ahead in your career, where we explore the ever-evolving landscape of our industry. Join us bi-weekly as we feature a diverse range of professionals from all corners of filmmaking. Subscribe, rate, and share to ensure you never miss an episode and stay up to date with all the latest insights and trends. Thank you for tuning in and being a part of our community. Your support means the world to us! Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

Nathaniel Christian-John has carved his way as a trusted researcher within factual television and in this episode, speaks about what it means to have an episode rest on his due diligence and quick thinking. We also speak about the right age (if there is one) to enter into the industry and how to communicate effectively with senior team members. If you want to get in touch with Nate, you can find him on instagram @ natetakes TV Makers is your go-to podcast for staying ahead in your career, where we explore the ever-evolving landscape of our industry. Join us bi-weekly as we feature a diverse range of professionals from all corners of filmmaking. Subscribe, rate, and share to ensure you never miss an episode and stay up to date with all the latest insights and trends. Thank you for tuning in and being a part of our community. Your support means the world to us! Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

Mike Sansom is the founder of Brightfire productions and the go to person for all things special effects. Mike has worked on TV royalty such as Top Gear, The Grand Tour, Derren Brown, The Slow Mo Guys to name but a few and he has some stories to go along with his vast experience. If you're looking to see what it takes to be a master of Special Effects or indeed, how you might work with someone in special effects for your next project, have a listen to Mike TV Makers is your go-to podcast for staying ahead in your career, where we explore the ever-evolving landscape of our industry with host, Ashley Golder. Join bi-weekly as we feature a diverse range of professionals from all corners of the industry as they talk about what it takes to do the role they do, before we get there ourselves. Subscribe, rate, and share to ensure you never miss an episode. Thank you for tuning in and being a part of our community. Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

This week we have, Emilea Bagstaff, a fantastic, up and coming, Production Coordinator. Some of Emilea’s credits include Bafta award winning Documentary, Ambulance, and new doc for Discovery - Britain’s Deadliest. Arguably, Production Coordinators are the backbone of any tv production, but the intricacies of what’s involved spans further than any spreadsheet, regardless of how good it is, which Emilea discusses here and anyone looking to make the jump to Production Co-ord, will find this conversation useful. If you want to get in touch with Emilea, you can find her on Talent Manager, here . TV Makers is your go-to podcast for staying ahead in your career, where we explore the ever-evolving landscape of our industry with host, Ashley Golder. Join bi-weekly as we feature a diverse range of professionals from all corners of the industry as they talk about what it takes to do the role they do, before we get there ourselves. Subscribe, rate, and share to ensure you never miss an episode. Thank you for tuning in and being a part of our community. Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

This week we have the fabulous Zac Clarke, a Camera Assistant with credits on huge shows such as The Late Late show with James Corden, Comic Relief, Interior design masters and The Voice. Zac quickly made a name for himself as one of the best camera assistants you can hire and he speaks about the added extras he brings to his role, the pressures of supporting huge shoots when things go wrong and what kit is in his peli case to tackle any situation. If you’re a camera trainee looking to step up or someone wondering how a camera assist can help your next show, this one’s for you. You can find Zac on instagram @zacclarketv or on Linkline I would love to know what you thought so please feel free to get in touch in the comments here or you can email [email protected] and you can find us on instagram @tvmakerspod. Let me know What you enjoyed, what was useful and what would you like to hear next. Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com

On this week's episode, Claire O'Shea uncovers the mystery box that is the world of task producing. Where, instead of people sat around a white board coming up with ideas, they are instead bringing in films and snacks, testing and re-testing, to make the best tasks, challenges and games imaginable. Claire's impressive rostra of credits from the likes of SAS: Who Dares Wins, The Apprentice, The Traitors and I'm a Celebrity Get Me Out Of Here, means she is the perfect person to give us the heads up on what it really takes to be a Task Producer and the tips and tricks involved to succeed in the role. If you want to get in touch with Claire, you can find her Talent Manager profile, here . TV Makers is your go-to podcast for staying ahead in your career, where we explore the ever-evolving landscape of our industry. Join us bi-weekly as we feature a diverse range of professionals from all corners of filmmaking. Subscribe, rate, and share to ensure you never miss an episode and stay up to date with all the latest insights and trends. Thank you for tuning in and being a part of our community. Your support means the world to us! Recorded and Edited by Ashley Golder - https://ashleygolder.tv/ Instagram @tvmakerspod Email: [email protected] Artwork by Benjamin Leon - Instagram : @benleondraws Website : www.benleondraws.com