Dadaism

Misha Glenny and guests discuss the provocative artistic phenomenon that first startled audiences in 1916 in Zurich. There, at the Cabaret Voltaire at the Holländische Meierei on the Spiegelgasse, Emmy Hennings and Hugo Ball and others gathered on a small stage, sometimes dressed in cardboard, often performing nonsense poems. This was the start of Dada, a spirit more than a movement which spread to other cities in Europe during the war. In part the Dadas (as they called themselves) were protesting against the inevitability of constant wars on the continent and in part this was an artistic experiment around the absurd; they were creating poems, songs, costumes and art that made no obvious sense, just as the war around them made no sense to the artists, designers and poets at the Cabaret Voltaire.With Dawn Ades Emeritus Professor of Art History and Theory at the University of EssexRuth Hemus Professor of French and Visual Culture at Royal Holloway, University of LondonAndStephen Forcer Professor of French at the University of GlasgowProduced by Martha OwenReading list:Dawn Ades (ed.), The Dada Reader: A Critical Anthology (Tate Publishing, 2006)Hugo Ball (trans. Ann Raimes and ed. John Elderfield), Flight out of Time: A Dada Diary (first published 1927; University of California Press, 1996)Stephen Forcer, Dada as Text, Thought and Theory (Legenda, 2015)Ruth Hemus, Dada's Women (Yale University Press, 2009)David Hopkins, Dada and Surrealism: A Very Short Introduction (Oxford University Press, 2004)Jed Rasula, Destruction was my Beatrice: Dada and the Unmaking of the Twentieth Century (Basic Books, 2015)In Our Time is a BBC Studios ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

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