I am so excited to say that my guest on the GWA Podcast is one of the most trailblazing artists and poets in the world right now, Cecilia Vicuna.
Born in 1948 in Chile, and based between Santiago and New York, Vicuna is hailed for her works that are as ephemeral as they are permanent, colossal as they are minute, fragile as they are strong, that bring together sound, weaving, language, and community.
Educated in Santiago in the 1960s, life took Vicuna to London to study at the Slade School of Art on a scholarship in the 1970s, but because of the Pinochet regime that began in 1973, she was forced to live in exile. Soon she went to Bogota, Colombia, before moving to New York City, where she has remained ever since, in the same loft and tending to the same community garden.
Since Vicuna was a teen, she has focussed on a political orientation for her art, as she has said, because she “understood that the life of this planet was endangered”. Through artforms she calls “arte precario” – precarious art – because it disappears and is vulnerable, Vicuna has held up a poignant mirror to our world through her installations that meld twigs, bamboo, stones, and shredded textiles. While they show us its beauty, they also convey its vulnerability: warning us about what will happen if we don’t wake up in time to protect our ecosystems…
At the heart of her art is language – specifically the quipu, which means knots in Quecha, a system of encoding information from the Andes – that conveys as much information as the alphabet – which was used for 5000 years, before being wiped out during colonisation…
As well as the importance of togetherness. Because, in a world as destructive as ours we need more than ever to unite, to rebuild the planet for our future descendents, as she says, “not only for the survival of our species, but because it is joyful, fun, beautiful and delightful.”
This November, I am excited to say that a new exhibition of Vicuna’s work will open at Lehmann Maupin Gallery in NYC, featuring paintings that she has re-rendered from the 1970s, while on a trip to Bogota and Rio. Dazzling in hues of pinks and yellows, they explore the Yoruba Mythology that represents human or divine characteristics and concepts of nature, and I can’t wait to find out more.
https://www.lehmannmaupin.com/exhibitions
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THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION:
https://www.famm.com/en/
https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037
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Sound editing by Lauren Armstrong Carter
Music by Ben Wetherfield
