One of the DEA’s first female undercover agents, Patricia Naughton sits down with Giovanni and Dutch to talk about her experience inside the life. While bonding over the risks they were all willing to take, Naughton describes how she went from small narcotics buys as a city police officer to infiltrating outlaw motorcycle clubs and the Detroit Mafia as a woman in the 1980s. During an incredibly violent era in Detroit's history, Naughton had the unique experience of crossing paths and fostering relationships with some of the city’s most influential and powerful criminals. About Patricia Naughton: Beginning her career in law enforcement as a police officer in the 1970s, Patricia Naughton graduated as Indiana's first female class president and worked undercover narcotics for both her own agency and other jurisdictions throughout the state. In 1978, she joined the Drug Enforcement Administration (DEA) as part of the one percent of female agents. She began working clandestine labs and went on to become the DEA’s first female weapons instructor, training her own division as well as a guest instructor for the FBI and DEA agents at the FBI Academy at Quantico, while also acting as her own hazardous response team's weapons trainer. She later assisted in the creation of DEA's National Trauma Team, serving as one of its first members, responding to all critical incidents in the field. Produced by The Mob Museum. Season One of Inside the Life is presented by Levy Online and Levy Production Group. To watch episodes of this podcast, visit YouTube For behind-the-scenes photos, merchandise and exclusive content, visit insidethelife.org For more on the Museum visit themobmuseum.org This program is presented by The Mob Museum and includes views and opinions of independent panelists and/or interviewees that do not necessarily reflect or represent the stance of The Mob Museum. Factual statements made by panelists/interviewees have also not been vetted by the Museum, and the Museum does not assert that such statements are truthful. All statements should be understood as the individual’s perspective rather than a view expressed by The Mob Museum. This program has been made available by The Mob Museum for the private, non-commercial use, of its audience. Such private use is intended for informational and educational purposes only. This program is subject to copyright protection, and those seeking to utilize the program, or portions thereof, for anything other than private use should contact The Mob Museum at
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