This week, we’re rippin’ and tearin’ into Doom: The Dark Ages - but in a nice way! id Software’s recent installments in the beloved FPS series have been heavy-hitters in their own right, but the latest entry offers a truly satisfying experience with some of the most brutally crunchy combat in recent memory, an arsenal of new weapons and abilities that keep it fresh, and bottomless monster closet of nightmare demon hellspawn to explode into blood. Meanwhile, Tony Hawk’s Pro Skater 3 and 4 are still hella sick, possibly even more so since getting a modern overhaul, and Nick had lots of nice things to say about his time with them, aside from the snow levels, which he has a problem with for some bizarre reason. Death Stranding 2: On The Beach will probably have some snowy areas, despite its title, and we unpack some of the details revealed in a recent preview event during which IGN Japan’s Koji Fukuyama got to play a whopping 30 hours of Hideo Kojima’s next magnum opus. Meanwhile, Jada and Michael Higham sat down the the developers of Clair Obscur: Expedition 33 to get some insight into how one of the best games of 2025 came together. Beyond!
00:00 - Intro
01:19 - IGN LIVE!
02:16 - Death Stranding 2: On The Beach
13:34 - Tony Hawk 3 & 4 is pretty cool so far
20:03 - Rippin’ and Tearin’ into Doom: The Dark Ages
39:21 - Clair Obscur: Expedition 33 Developer Interview
01:08:40 - Outro
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For thousands of years (or at least since the 90s) PlayStation has been pushing the boundaries of the video game medium. For almost as long, Beyond has been along for the ride. Join a panel of passionate playstation experts and enthusiasts including Max Scoville, Brian Altano, Jada Griffin and company. Each week we unpack the latest gaming news, gush about what we’re playing, chat with developers and voice actors and explore the ever-expanding world of PlayStation - and Beyond! Catch a new episode every Wednesday on IGN, YouTube or wherever you get your podcasts.
This week’s show is Max Scoville, Jada Griffin, Nick Maillet, Nick Limon and is produced by Tayo Oyekan
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