The Writing Life

In this episode of The Writing Life Podcast, award-winning writer Sarah L. Kaufman discusses mastering the art of the verb and transforming your writing with language, grammar, and style. Sarah L. Kaufman is a Pulitzer Prize-winning critic, an award-winning author and a writing teacher. As the Washington Post’s chief dance critic she wrote about the arts, entertainment, and society for 27 years. Her work has also appeared in the New York Times, Wall Street Journal, New York Review of Books and Boston Globe, among others. Sarah’s latest book, Verb Your Enthusiasm, is a clarion call for all of us to get back to basics: to mean what we say and say what we mean. Sarah sat down with non-fiction writer Dan Richards to share her research and findings on how powerful verbs drive great storytelling. Their conversation explores the nine categories of language, why protecting human creativity matters in the age of AI, and how expressive language helps writers connect more deeply with readers.

In this episode of The Writing Life Podcast, award-winning writer Pip Landers-Letts discusses her experience self-publishing her action-packed novel Pyg – a queer retelling of George Bernard Shaw’s play Pygmalion. Pip Landers-Letts is an emerging queer author of contemporary sapphic fiction. Her work explores themes of love, loss and transformation, by blending emotional honesty with warm, character-driven storytelling. Her published titles include The Weight of What Was (2024), Pyg (2025), and Chameleon (2026). In 2025, she won the Kindle Storyteller Award for Pyg. Pip sat down with fellow writer Grace Murray to share her journey through self-publishing, offering advice and insights into the process, and reflecting on how winning the Kindle Storyteller Award helped her feel recognised as a writer. Their conversation also covers working with sensitivity readers, lesbian representation in literature, and the experience of writing multiple books set within the same fictional world. Self-published authors can enter a book of any genre into the Kindle Storyteller Award for the chance to win £20,000. To be eligible, simply publish your story via Kindle Direct Publishing by Monday 31 August 2026.

In this episode of The Writing Life Podcast, debut novelist Jem Calder shares insights into developing the complex central relationship in his novel, I Want You to Be Happy – a sharp-eyed tale of two people searching for meaning and connection in modern times, missing the mark maybe, but trying. Jem Calder was born in Cambridge, and lives and works in London. His fiction has been published in The Stinging Fly and Granta, and his debut short story collection, Reward System, was published by Faber in 2022. I Want You to Be Happy is his debut novel. He sat down with NCW’s Lucy May to discuss his approach to crafting the novel’s relationship, from shaping two distinct characters to exploring the dynamic that unfolds between them. Their conversation also covers writing with the reader in mind, the appeal of writing about writers, and his advice for creating convincing relationships in fiction.

In this episode of The Writing Life Podcast, Singapore-based writer Sithuraj Ponraj shares how he balances his dual life as an international cyber-policy specialist and a multilingual writer. Sithuraj Ponraj’s work includes novels, short stories, and poetry. He has won the Singapore Literature Prize for prose and poetry twice, in 2016 and 2020. His residency was supported by the National Arts Council of Singapore. He sat down with novelist and mentor Andrew Cowan to discuss his journey into writing, the influence of Tamil and English on his work, and the challenges and opportunities that come with writing across different genres and for different audiences.

In this episode of The Writing Life Podcast, Norwich-based writer Anna Goldreich reflects on the personal and creative journey behind her debut novel, The Leveret – a bruisingly tender and lyrically haunting hymn to queer love and the power to rebuild from the wreckage of a relationship. Anna Goldreich is a writer based in Norwich. She holds a Creative Writing Prose Fiction MA from the University of East Anglia and her writing has been shortlisted for the Bridport Short Story Prize 2022 and was awarded the Mslexia Short Story Runner-up Prize 2025. She is the co-founder of Queer Birders Norfolk. She sat down with NCW’s Lucy May, a friend and former classmate on UEA’s Creative Writing MA, for an open conversation about the excitement, uncertainty, and vulnerability that come with publishing a debut. Together, they discuss writing contrasting characters, expanding a short story into a full-length novel, and the advice she offers emerging writers.

Hannah Murray shares the experience of writing her debut book, a memoir called The Make Believe: A memoir of magic and madness.

In this episode of The Writing Life Podcast, Norwich-based writer Ashley Hickson-Lovence discusses experimenting with narrative, form, and structure in his latest novel, About to Fall Apart – a thrilling kaleidoscope of thoughts, failures, disappointments and hope. Ashley Hickson-Lovence earned his PhD in Creative and Critical Writing at the University of East Anglia. He has lectured English and Creative Writing at Brunel University, Arts University Bournemouth, University of East Anglia and the University of Suffolk. He is the author of the poetry collection Why I Am Not a Bus Driver, the acclaimed novels The 392 and Your Show, and the 2024 prize-winning YA novel in verse Wild East. Set across one weekend, About to Fall Apart is the exhilarating story of a man of mixed heritage – living on the Irish border – as he tries to stay positive, reconnect with his children and maybe, even, find his own birth mother. He sat down with fellow writer Sophie Yan Yee Lau, who he mentors through the Escalator New Writing Fellowships, for a candid conversation about the freedoms and constraints of setting a novel within a tight timeline. They also explore writing from personal experience, using poetic techniques in prose writing, and creating characters inspired by real-life people.

In this episode of The Writing Life Podcast, Norfolk-based writer Camilla Balshaw shares insights into exploring themes of identity and belonging in her memoir, Named – an engaging and intimate investigation of what makes us who we are. Camilla Balshaw has written for the Guardian and the Observer. She holds an MA in Creative & Life Writing from Goldsmiths (Distinction) and is an Honorary Research Fellow in Name Studies at the University of Nottingham. Her memoir Named won the Biography & Memoir category winner in the East Anglian Book Awards 2025. She sat down with NCW’s Holly Ainley for a candid conversation about the origins of her memoir, which intertwines an exploration of names, global naming conventions and identity politics within a moving, personal narrative about the finding of family and self. They also touch on her approach to writing about real people, the impact of names on our sense of self, and the vulnerability involved in sharing personal stories with readers.

In this episode of The Writing Life Podcast, illustrator and writer Anna Trench shares the process of writing and illustrating her debut graphic novel, Florrie – a warm-hearted story about football, friendship and falling in love. Anna Trench is an illustrator, cartoonist, writer and teacher based in London. Florrie is her first book. It won the 2025 East Anglian Book of the Year Award and was previously shortlisted for the First Graphic Novel Award and the LDComics Award. She sat down with NCW’s Peggy Hughes to reflect on the inspiration and research behind the graphic novel, which explores self-discovery and queer love, alongside huge (and little known) historical moments for women’s football. They also touch on her analogue approach to graphic storytelling, her relationship with Norfolk, and her love for the women’s game.

In this episode of The Writing Life Podcast, award-winning writer Jenni Fagan shares the process of writing her latest novel, The Delusions – a story of profound human connection, on an unprecedented scale. Jenni Fagan won the Gordon Burn Prize for her memoir, Ootlin, which was also longlisted for the Women's Prize for Non-Fiction. Her debut novel, The Panopticon, saw her selected as a Granta Best Young British Novelist, and her second novel, The Sunlight Pilgrims, gained her Scottish Author of the Year. Jenni has been listed for the Encore Award, the James Tait Black Memorial Prizes, the Desmond Elliott Prize, the Sunday Times Short Story Award, and the Pushcart Prize. She is a Doctor of Philosophy, a member of Liberty, and a Royal Society of Literature Fellow. She sat down with NCW’s Peggy Hughes to reflect on the novel’s complex themes, including death and the afterlife, delusion and self-confrontation, and the enduring importance of connection, love, and humanity. They also touch on the ‘absolute freedom’ of writing fiction, experimenting with different styles and genres, and how an initial idea can evolve into a vivid, fully realised story.

In this episode of The Writing Life, literary newcomer Grace Murray shares the process from mentorship to the publication of her debut novel Blank Canvas – a work of literary fiction about grief, reinvention and the ripple effects of telling lies. Grace Murray was born in 2003 and grew up in Norwich. She has recently graduated from Edinburgh University, where she read English Literature and found time to write between her studies and two part-time jobs. Her short fiction has been published in The London Magazine. Blank Canvas was written over the course of a year as part of WriteNow, Penguin Random House’s flagship mentorship scheme for emerging talent. Grace Murray won one of nine places on the scheme on the exceptional strength of her writing, selected from a pool of over 1,300 applicants. She sat down with National Literacy Trust’s Victoria Tynemouth to reflect on her path from early creative mentorships to publishing Blank Canvas. In their conversation, she also discusses writing about the female body, her approach to crafting unreliable and unlikeable narrators, and the process of developing her own voice and identity as a writer. Help us to support more young writers like Grace by donating to our Big Give Arts for Impact campaign. For one week only (17–24 March 2026), every £1 you give becomes £2. Whatever you can donate, big or small, makes a difference. Find out more on our website!

In this episode of The Writing Life Podcast, novelist, poet and Associate Professor of Creative Writing Sam Meekings shares the process behind writing his latest book, Wonder and Loss: A Practical Memoir for Writing about Grief, which interweaves memoir and his personal journey through grief with practical guidance and insight on how to write about it. Sam Meekings is a British novelist and poet. He is the author of Under Fishbone Clouds (called 'a poetic evocation of the country and its people' by the New York Times) and The Afterlives of Doctor Gachet. He currently works as an Associate Professor of Creative Writing at Northwestern University in Qatar, and has spent the last few years living and working in China and the Middle East. He balances his time between teaching, research, raising two kids as a single father, and drinking copious cups of tea. Sam sat down with Steph for a candid and insightful discussion about writing as therapy, the importance of intention and of setting boundaries, the role of vulnerability, and of embracing the unknown when undertaking a writing project which draws upon lived, painful experiences. There is also lots of room for wonder, magic and play!

In this episode of The Writing Life, Trinidadian writer Celeste Mohammed reflects on the role of family, mythology, and Caribbean folklore in her writing. Celeste has been a lawyer since 2001 but she has been telling stories all her life. A native of Trinidad and Tobago, in 2016, she graduated from Lesley University, Cambridge, Massachusetts, with an MFA in Creative Writing (Fiction). Her debut novel Pleasantview won the 2022 OCM Bocas Prize for Caribbean Literature. Ahead of its publication in the Caribbean and the UK, a story from her current novel-in-stories Ever Since We Small was shortlisted for the 2024 Commonwealth Short Story Prize. She sat down with her friend and fellow Trinidadian writer Ayanna Lloyd Banwo to discuss Ever Since We Small, a powerful novel-in-stories in which survival, resilience and self-discovery are passed down through generations of an Indo-Trinidadian family. Together, they explore her use of the short story form to create an intricately woven tapestry of stories, Caribbean folklore, and the book's themes of belonging, resistance, and legacy.

In this episode of The Writing Life Podcast, novelist and essayist Matt Greene shares the process of writing his latest novel, The Definitions – a work of dystopian fiction which interrogates and plays with the relationship between language, memory and the self. Matt is a novelist and essayist. His first novel, Ostrich, published in 2013, won a Betty Trask Award and was a Daily Telegraph book of the year. His memoir, Jew(ish) was published in 2020. His latest novel, The Definitions, was published in October 2025. He lives in London with his partner and two sons. The Definitions is an elegant and haunting dystopian novel about a group of individuals gathered to relearn how to navigate the world after a mysterious illness strips them of their memories. He sat down with NCW’s Steph McKenna to discuss the genesis of the novel, which began as a philosophical experiment, and how working within the dystopian genre allowed him to explore how language shapes identity. They also touch on his approach to writing characters who lack memory or a sense of self, and how their gradual understanding of the world was conveyed through a playful, vivid use of simile and metaphor.

In this episode of The Writing Life, Singapore-based writer Choo Yi Feng shares his approach to writing speculative fiction. Choo Yi Feng is an intertidal explorer, climate activist, ecologist and fiction writer. The Waiting Room is his debut short story collection. Elsewhere, his short stories have previously been published in Foglifter Journal, Anathema: Spec from the Margins, Queer Southeast Asia and Alluvium, the journal of Literary Shanghai. He was nominated for the Pushcart Prize in 2022. His residency in the Dragon Hall Cottage was supported by the National Arts Council of Singapore. He sat down with writer and mentor Simon K Jones to discuss world building in speculative fiction, and how his work blends elements of science-fiction, horror, mythology, and more. Together, they touch on his month-long residency in Norwich UNESCO City of Literature, his method for developing mysterious, compelling characters, and how his interest in the sea and sea animals translates in his stories.

In this episode of The Writing Life Podcast, writers and performers John Osborne and Lewis Buxton share insights on writing poetry for page and performance, and reflect on their lives as poets living and working in Norwich City of Literature. John Osborne is a poet, scriptwriter, broadcaster and theatre-maker. He began writing whilst studying at the University of East Anglia and has never stopped, producing an eclectic mix of poetry, storytelling theatre shows, non-fictional explorations of everything from radio to the charms of the seaside and even a Sky One sitcom, After Hours. His latest collection of poems To Make People Happy was published in June 2025, and looks at happiness. Lewis Buxton is a writer and theatre maker. His work has appeared in The Independent, Poetry Review, The Rialto, Ambit and Magma amongst others. He has won the Winchester Poetry Prize, received the UEA Literary Festival Bursary and is the Co-Director of TOAST. His first collection Boy in Various Poses was published by Nine Arches Press in 2021. His second collection Mate Arias was published in July 2025, and is a unique celebration of the tenderness and love that can be communicated by men. Together, they discuss their poetry collections To Make People Happy and Mate Arias, and their themes of happiness, connection, and communication. Touching on everything from Norwich’s influence on their writing to how their performances subvert and expand expectations of what poetry is, this is an open conversation about finding inspiration, writing the absurd and surreal, and experimenting with form, rhythm, and structure.

In this episode of The Writing Life Podcast, crime writer and NCW tutor Julia Crouch welcomes the New Year with us and shares her advice and encouragement for the writing year ahead. Julia is the author of ten internationally published crime novels, including Cuckoo, Tarnished, The Long Fall, and Her Husband’s Lover. Unable to find a sub-genre of crime writing that neatly described her work, she came up with the term Domestic Noir, which is now widely accepted as the label for one of the most popular crime genres today. Julia has been a Visiting Fellow on the UEA MA Creative Writing Crime Fiction and teaches online for Faber Academy and the National Centre for Writing. She co-runs the Brighton Crime Wave, a bi-monthly crime fiction night. She sat down with NCW’s Holly Ainley to discuss the different ways to be a writer, and to share her advice for getting started and staying motivated. Together, they discuss the benefits of cultivating a daily writing habit, finding inspiration in unexpected places, and being kind to yourself in the pursuit of your goals. Get a head start on your writing goals with NCW Academy, the home for creative writers. You can find out more about our workshops, courses, free resources, and more at nationalcentreforwriting.org.uk/academy.

In this festive episode of The Writing Life Podcast, crime writer Nicola Upson delves into the themes and appeal of crime novels set at Christmas. Nicola Upson’s debut, An Expert in Murder, was the first in a series of crime novels to feature Josephine Tey — one of Britain’s finest Golden Age crime writers – and was dramatised for BBC Radio 4. Several of Nicola’s novels have been listed for the CWA Gold and Historical Daggers, and Sorry for the Dead was a Waterstones Thriller of the Month. Praised as a ‘perfect Christmas crime story’ by Elly Griffiths, her latest novel The Christmas Clue was published in September 2025. She sat down with NCW’s Caitlin Evans to discuss The Christmas Clue, and how she tackled balancing festive cheer with page-turning twists and deceptive characters. Together, they touch on writing fiction inspired by real people, what drew her to writing a Christmas crime novel, and how to develop the ideal festive setting for a murder mystery.

In this episode of The Writing Life Podcast , Singapore-based writer Clara Chow delves into the world of 'experimental fiction' and why she takes on projects that push against the grain. Clara Chow works across genres of fiction, non-fiction and poetry. Her strange experiments under Hermit Press include obscure prose chapbooks such as The Melancholy of Broken Bollards. She has been a resident at the University of Iowa, Toji Cultural Center, Asean Literary Festival and Shanghai Writers’ Programme. Her residency in the Dragon Hall Cottage was supported by the National Arts Council of Singapore. She sits down with writer and mentor Megan Bradbury to discuss how she defines ‘experimental fiction’, and the importance of prioritising fun with your creative writing. Together, they touch on her month-long residency in Norwich UNESCO City of Literature, writing as a collaborative project, and the role bilingualism plays in her creative work.

In this Halloween-flavoured episode of The Writing Life Podcast , we’re resharing an illuminating discussion between writers Lisabelle Tay and Heather Parry on writing grief and the monstrous body. Heather Parry is a Glasgow-based writer and editor, originally from South Yorkshire. Her debut novel, Orpheus Builds a Girl, was shortlisted for the Saltire Society Fiction Book of the Year Award and longlisted for the Polari First Book Prize. She is also the author of a short story collection, This Is My Body, Given For You, and her first nonfiction book, Electric Dreams: On Sex Robots and the Failed Promises of Capitalism, was released in 2024 as part of 404 Ink’s Inklings series. Lisabelle Tay is the author of Pilgrim (The Emma Press, 2021). She writes poetry, fiction, and screenplays. Her work appears in Bad Lilies, Sine Theta Magazine, and elsewhere, and she was part of the 2023 Black List Feature Lab. They sit down with Yan Ge, author of Strange Beasts of China, to explore how the body and the bodily serve as powerful lenses for examining trauma, grief, and the experience of inhabiting perspectives and bodies beyond our own. This event, supported by the National Arts Council of Singapore, was recorded in May 2025 for The Global Page. The Global Page is a unique series of online global conversations featuring internationally acclaimed and emerging writers and translators. You can find more conversations like this on our website at nationalcentreforwriting.org.uk

In this episode of The Writing Life, acclaimed British author and academic Sarah Moss (known for Ghost Wall and Summerwater) joins us to discuss her latest novel, Ripeness, ‘a breathtaking story of love and the search for belonging, from 1960s Italy to present-day Ireland.’ Sarah reflects on the novel’s dual structure, which follows Edith both as a young girl and as an older woman, and explores how dance, movement, and the body shape the story’s emotional core. She also talks about her fascination with flawed characters and considers what it means (or doesn’t mean!) to be a ‘political’ writer. Sarah Moss has written several novels including the Sunday Times top ten bestseller Summerwater (being adapted for television by Channel 4) and Ghost Wall, which was longlisted for the Women’s Prize. She has also written two works of memoir, Names for the Sea, an account of her year living in Iceland, and My Good Bright Wolf which will also be published in Spring 2025. Sarah Moss was born in Glasgow and grew up in the north of England. After moving between Oxford, Canterbury, Reykjavik, west Cornwall and the Midlands, she now lives in Dublin.

In this episode of The Writing Life, poets Erica Hesketh and Jenny Pagdin share insights into the poetry of motherhood, and how they each share their ‘emotional truth’ in their writing. Erica Hesketh is a poet and editor, originally from Japan and Denmark, now based in London. Her poetry has been commissioned by the Royal Festival Hall, Spread the Word and the London Philharmonic Orchestra. From 2016 to 2024 she was Director of the Poetry Translation Centre. Her debut collection, In the Lily Room, is published by Nine Arches Press and explores early motherhood. Her poem ‘Night feed’ was highly commended in the 2025 Forward Prizes. Jenny Pagdin wrote The Snow Globe (Nine Arches 2024) and Caldbeck (Eyewear, 2017), about postpartum psychosis. The Snow Globe won the East Anglian Book Awards poetry category in 2024, and her work has been shortlisted for the Mslexia pamphlet competition, highly commended and shortlisted for the Bridport Prize, and longlisted for the Rebecca Swift Foundation's 2018 Women's Poetry Prize. Together, they reflect on how their experiences of motherhood have shaped their poetry and the creation of their debut collections. Touching on everything from how poetry fits into their lives as working mothers to the power of connecting with others by giving voice to experiences of illness and mental health, this is an honest and insightful conversation about recovery, language, and craft.

In this episode of The Writing Life, poet, editor, and literary activist Vanessa Bell discusses the journeys she has taken as a writer, both literally and figuratively, and her recent book tour around the UK. Based in Quebec City of Literature, Vanessa Bell is co-director of CONTOURS and director of the poetry collection at Éditions du Quartz. Her debut collection of poetry, De rivières, was published by La Peuplade in 2019. She co-edited Anthology of contemporary poetry by women in Quebec 2000-2020 (Anthologie de la poésie actuelle des femmes au Québec 2000-2020) and MONUMENTS and won the 2021 Félix-Antoine-Savard Prize. She was selected as a 2022 Writers’ Trust Rising Star by Nicole Brossard. She sits down with NCW’s Chief Executive Peggy Hughes to discuss how her travels have transformed her as a writer and as a person. Together, they touch on her work in Quebec, the many ways a project can evolve and change over time, and how professional mentoring has uplifted her work.

In this episode of The Writing Life, illustrator Hayley Wells delves into the importance of representation in children’s books. Hayley Wells is an Essex-based illustrator with an MA in Children’s Book Illustration from Cambridge School of Art. Their work has been shortlisted for the World Illustration Awards, featured on television, and published worldwide. They sit down with NCW’s Ellie Reeves to discuss The Spectacular Suit, a picture book which celebrates individuality, identity and self-expression. Together they touch on the relationship between writer and illustrator, their advice for people wanting to develop ideas for a children’s book, and the value of representing yourself and your experiences in your art.

Content warning: Mentions of rape, sexual assault, and war. In this episode of The Writing Life, bestselling author Pat Barker shares insights about the art of retellings, and the craftsmanship and research needed to write reimaginings of classic literature. Pat Barker was born in Yorkshire and began her literary career in her late thirties, when she took a short writing course taught by Angela Carter. She has published sixteen novels, including her masterful Regeneration Trilogy which includes the Booker Prize-winning The Ghost Road. The Silence of the Girls was shortlisted for the Women's Prize for Fiction and won an Independent Bookshop Award 2019. The Women of Troy was a number one Sunday Times bestseller. The Voyage Home continues the series. She sits down with NCW’s Holly Ainley to discuss her Regeneration Trilogy, and how retellings can bring stories to new audiences. They touch on offering fresh perspectives to Greek mythology, finding inspiration in unexpected places, and how reimaginings can make stories accessible to readers through contemporary language and references.