The Week in Art

The Art Newspaper’s editor-in-chief, Americas, Ben Sutton, and art market editor, Kabir Jhala, are in Miami Beach for Art Basel’s latest edition and discuss the top sales and the wider mood at the fair. As staff at the Musée du Louvre in Paris vote to strike, Ben Luke talks to Vincent Noce, our correspondent in Paris, about the deepening crisis at the museum, following the robbery in October. And this episode’s Work of the Week is Helene Scherfbeck’s The Tapestry (1914-16).   It features in a new exhibition of the Finnish artist’s work opening this week at the Metropolitan Museum of Art in New York. We talk to the curator of the exhibition, Dita Amory, about the painting. Art Basel Miami Beach, 5-7 December 2025. Seeing Silence: The Paintings of Helene Schjerfbeck, Metropolitan Museum of Art, New York, 5 December-5 April 2026 Hosted on Acast. See acast.com/privacy for more information.

After a delayed application process and an aborted initial commission, the US has at last appointed its artist for next year’s Venice Biennale: the Utah-born, Mexico-based artist Alma Allen. The Art Newspaper’s editor-in-chief in the Americas, Ben Sutton, talks Ben Luke through this confusing saga. At the National Museum of Norway in Oslo a new exhibition, Deviant Ornaments, focuses on the expression and representation of queerness in Islamic art over more than a millennium. Ben talks to the curator of the exhibition Noor Bhangu. And this episode’s Work of the Week is the Cree artist Duane Linklater’s wintercount_215_kisepîsim (2022), a piece using recycled canvas from teepees, and referencing the deaths of First Nations children after they were separated from their families in the Residential School system in Canada. It’s part of an exhibition called Winter Count: Embracing the Cold, at the National Gallery of Canada in Ottawa, and we talk to two of the four curators of that show, Wahsontiio Cross and Jocelyn Piirainen, about the work. Deviant Ornaments, The National Museum of Art, Architecture and Design, Oslo, until 15 March 2026. Winter Count: Embracing the Cold, National Gallery of Canada, Ottawa, until 22 March 2026 Black Friday subscription offer: enjoy up to 70% off across subscription packages to The Art Newspaper this Black Friday, with a year’s digital subscription just £21, reduced from £70 (or the equivalent in your currency) and a print and digital subscription just £40, reduced from £99.  https://www.theartnewspaper.com/subscriptions-BF25?promocode=BF25&utm_source=display+ads&utm_campaign=blackfriday25 Hosted on Acast. See acast.com/privacy for more information.

Gustav Klimt’s Portrait of Elisabeth Lederer (1914-16) sold for the second highest price ever realised at auction at Sotheby’s in New York on Tuesday. It was the most notable of several big sales in the sold-out (or “white-glove”) auction of 24 works from the collection of the late billionaire Leonard Lauder, and has prompted some commentators to declare that the art market has turned a corner following a prolonged downturn. Ben Luke speaks to The Art Newspaper’s senior art market editor in the Americas, Carlie Porterfield, about this week’s auctions, and asks if they do mark a turning point in the art market’s fortunes. Cop 30, the United Nations Climate Change Conference, is taking place in Belém, Brazil, and ends on Friday. To coincide with the conference, the Gallery Climate Coalition is publishing a Stocktake Report, in which it gives hard data on the efforts of its members to reduce their carbon emissions. The Art Newspaper’s contemporary art correspondent in London, Louisa Buck, who is a co-founder of the coalition, tells Ben more. And this episode’s Work of the Week is Victorious Cupid (1601-02) by Caravaggio, a landmark work by the artist, made at the height of his fame in Rome. The painting is making a rare journey from its home at the Gemäldegalerie in Berlin to the Wallace Collection in London, where it is at the centre of an exhibition opening next week. Ben talks to the collection’s director, Xavier Bray, about the painting. Caravaggio’s Cupid, Wallace Collection, London, 26 November-12 April 2026 Hosted on Acast. See acast.com/privacy for more information.

Studio Museum in Harlem, Grand Egyptian Museum, Stanley Spencer As the Studio Museum in Harlem opens in its first ever purpose-built space, a new building by the architects Adjaye Associates, The Art Newspaper’s editor-in-chief in the Americas, Ben Sutton, speaks to Thelma Golden, the museum’s director, and Ben Sutton then gives reviews the building and the inaugural programming with Ben Luke. In Egypt, the long-awaited Grand Egyptian Museum, or GEM, has opened at last. Our digital editor, Alexander Morrison, talks to one of our Middle East correspondents, Melissa Gronlund, about this monumental institution. And this episode’s Work of the Week is Tree and Chicken Coops, Wangford by Stanley Spencer (1925). The painting features in the exhibition Love & Landscape: Stanley Spencer in Suffolk at Gainsborough’s House in Sudbury, which is in the heart of the eastern English county of Suffolk. Ben Luke speaks to Amy Lim, the co-curator of the exhibition, about the picture.  The Studio Museum in Harlem opens 15 November.  The Grand Egyptian Museum is open now. Love & Landscape: Stanley Spencer in Suffolk, Gainsborough’s House, Sudbury, UK, 15 November-22 March 2026; Stanley Spencer Gallery, Cookham, UK, 4 April-1 November 2026. Subscription offer: eight-week free digital trial of The Art Newspaper. The subscription auto-renews at full price for your region. Cancel anytime. www.theartnewspaper.com/subscriptions-8WEEKSOFFER Hosted on Acast. See acast.com/privacy for more information.

The Museum of Fine Arts (MFA) in Boston, US, has agreed to return two works from 1857 by the enslaved 19th-century potter David Drake to his present-day descendants. By the terms of the contract, one vessel will remain on loan to the museum for at least two years. The other—known as the “Poem Jar”—has been purchased back by the museum from the heirs for an undisclosed sum and now comes with “a certificate of ethical ownership”. Ben Luke talks to Ethan Lasser, the MFA’s chair of the art of Americas, about this landmark agreement. At the Museum of Modern Art in New York, the exhibition Wifredo Lam: When I Don’t Sleep, I Dream opens on Monday. Lam, who was of African and Chinese descent, is now widely regarded as a key, and singular, figure in Modernist painting. Connected in his long life to the Surrealists and Pablo Picasso, and to literary greats including Aimé Césaire and Edouard Glissant, his distinctive practice was above all centred on a profound engagement with Black diasporic culture. Ben talks to the two lead curators of the exhibition, Beverly Adams, curator of Latin American Art at MoMA, and the museum’s new director, Christophe Cherix. And this episode’s Work of the Week is the Adoration of the Magi (1488) by Domenico Ghirlandaio. The painting is in the Ospedale degli Innocenti, the first hospital for unwanted or orphaned infants, or foundlings, in Europe, built by the great Renaissance architect, Filippo Brunelleschi. The Innocenti, as it is called, is the subject of a new book, called The Innocents of Florence: The Renaissance Discovery of Childhood, by Joseph Luzzi, and Ben speaks to him about the painting and its significance in the Innocenti’s collection. Wifredo Lam, Museum of Modern Art, New York, 10 November-11 April 2026. The Innocents of Florence: The Renaissance Discovery of Childhood, published in hardback by WW Norton, from 11 November in the US, priced $29.99, and from 28 November in the UK, priced £23. New subscription offer: eight-week free digital trial of The Art Newspaper. The subscription auto-renews at full price for your region. Cancel anytime.  www.theartnewspaper.com/subscriptions-8WEEKSOFFER Hosted on Acast. See acast.com/privacy for more information.

The authenticity of the final self-portrait by Paul Gauguin, made in 1903 and housed in the Kunstmuseum in Basel, was earlier this year called into question. Now, the museum has completed its promised analysis, and confirmed that the painting is  not  a fake and is by Gauguin. Ben Luke talks to The Art Newspaper’s special correspondent, Martin Bailey, about the saga. In recent years, the late Indian sculptor Mrinalini Mukherjee has come to increasing prominence. Now, a show at the Royal Academy of Arts in London, called A Story of South Asian Art: Mrinalini Mukherjee and Her Circle, explores her work in the context of six other artists including her parents, Leela Mukherjee and Benode Behari Mukherjee. The exhibition’s curator, Tarini Malik, tells Ben more. And this episode’s Work of the Week is Character Head No.25 by Franz Xaver Messerschmidt, the 18th-century sculptor who was born in Germany, and lived in modern-day Austria and Slovakia. The bust features in the exhibition Franz Xaver Messerschmidt: More than Character Heads, at the Belvedere in Vienna, and we talk to the exhibition’s curators, Katharina Lovecky and Georg Lechner, about the work. New subscription offer: eight-week free digital trial of The Art Newspaper. Cancel anytime. The subscription auto-renews at full price for your region.  www.theartnewspaper.com/subscriptions-8WEEKSOFFER A Story of South Asian Art: Mrinalini Mukherjee and Her Circle, Royal Academy of Arts, London, 31 October-24 February 2026. Franz Xaver Messerschmidt: More Than Character Heads, Belvedere, Vienna, 31 October-6 April 2026. Hosted on Acast. See acast.com/privacy for more information.

It is an event that has shocked the world and prompted a national reckoning in France: the robbery of eight jewels from the Apollo Gallery of the Louvre last Sunday. Ben Luke talks to Anaël Pigeat, editor-at-large of The Art Newspaper France and journalist at Paris Match, and Dale Berning Sawa, a regular contributor to The Art Newspaper, about the heist, the reaction, the political fallout and what it tells us about the place of culture in French society today. The Performa Biennial is celebrating its 20th anniversary edition from next week, and Ben talks to its founder RoseLee Goldberg about the biennial and the publication of the updated version of Goldberg’s classic book Performance Art: From Futurism to the Present. And this episode’s Work of the Week is On the Other Earth, a new installation by the choreographer Wayne McGregor. It is unveiled next week at Stone Nest in London, as part of a major exhibition of McGregor’s work at Somerset House, called Infinite Bodies. Ben speaks to McGregor about the installation. The Performa Biennial 2025, 1–23 November. Performance Art: From Futurism to the Present, RoseLee Goldberg, Thames and Hudson, $29.95/£24.99. Wayne McGregor: Infinite Bodies, Somerset House, London; On the Other Earth, Stone Nest, London, 30 October-22 February 2026; On the Other Earth is booked in one-hour slots, visit  somersethouse.org.uk  for more information. Hosted on Acast. See acast.com/privacy for more information.

Amid much debate about the health of the art market, Frieze is back in London, with its two fairs, Frieze London and Frieze Masters. Ben Luke talks to The Art Newspaper’s art market editor, Kabir Jhala, about the mood in the big tents in Regent’s Park. Beyond Frieze, of course, is a vast parallel art world, with thousands of unrepresented artists and curators keen to realise their big ideas. Hypha Studios has for some years been finding vacant property in cities around the UK to provide free exhibition and studio space to artists, curators and other creatives. This week, it launched Hypha Curates, an online sales platform. Ben talks to the non-executive director of Hypha Studios, Will Jennings. And this episode’s Work of the Week is a drawing by Pierre-Auguste Renoir. A study in red and white chalk for one of his greatest works, the painting known as The Great Bathers in the Philadelphia Museum of Art, it’s a key piece in a new exhibition at the Morgan Library & Museum in New York, called Renoir Drawings. We speak to the exhibition’s curator, the director of the Morgan Library and Museum, Colin B. Bailey. Frieze London and Frieze Masters, until Sunday, 19 October. Visit  hyphastudios.com  and  hyphacurates.com Renoir Drawings, Morgan Library and Museum, New York, 17 October-8 February 2026; Musée d’Orsay, 17 March-5 July 2026. Hosted on Acast. See acast.com/privacy for more information.

Tate Modern continues to explore the histories of Modern art beyond the European and North American canons that were once its focus. This week it opened the exhibition Nigerian Modernism, and The Art Newspaper’s digital editor, Alexander Morrison, speaks to the show’s co-curator, Osei Bonsu, and to one of the 50 artists in the exhibition, Jimoh Buraimoh. Before the 12-day war between Israel and Iran in June of this year, the art scene in the Iranian capital, Tehran, was thriving. Sarvy Geranpayeh, one of our correspondents for the Middle East, travelled to Tehran for The Art Newspaper and tells Ben Luke how the art world has responded in the aftermath of the conflict. And this episode’s Work of the Week is Cakes (1963) by Wayne Thiebaud, a painting in the National Gallery of Art in Washington that has travelled to the Courtauld Gallery in London for Wayne Thiebaud: American Still Life, the first UK museum exhibition of his art. We visit the show and speak to Barnaby Wright, its co-curator. Nigerian Modernism, Tate Modern, London, until 10 May 2026. Wayne Thiebaud. American Still Life, Courtauld Gallery, London, 10 October-18 January 2026. LAST CHANCE student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available. https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

A new exhibition at the Fitzwilliam Museum in Cambridge, UK, called Made in Ancient Egypt, reveals untold stories of the people behind a host of remarkable objects, and the technology and techniques they used. The Art Newspaper’s digital editor, Alexander Morrison visits the museum to take a tour with the curator, Helen Strudwick. One of the great revelations of the past two decades in scholarship about women artists is Michaelina Wautier, the Baroque painter active in what is now Belgium in the middle of the 17th century. The largest ever exhibition of Wautier’s work opened this week at the Kunsthistorisches Museum in Vienna, and travels to the Royal Academy of Arts in London next year. Ben Luke speaks to the art historian who rediscovered this extraordinary painter, Katlijne Van der Stighelen, who has also co-edited the catalogue of the Vienna show. And this episode’s Work of the Week is Robert Rauschenberg’s Bed (1955), one of the most important works of US art of the post-war period. It features in the exhibition Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, which this week arrives at the Museum Ludwig in Cologne. We speak to Yilmaz Dziewior, the co-curator of the exhibition. Made in Ancient Egypt, Fitzwilliam Museum, Cambridge, UK, 3 October-2 April 2026 Michaelina Wautier, Painter, Kunsthistorisches Museum, Vienna 30 September-22 February 2026; Royal Academy of Arts, London 27 March – 21 June 2026. Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, Museum Ludwig, Cologne, Germany, 3 October-11 January 2026 Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available. https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

The Art Newspaper’s chief contributing editor, Gareth Harris, has just published a new book, Towards the Ethical Art Museum, which explores a range of issues affecting museums in the 21st century, from questions of provenance and restitution to funding and governance and responsibilities to staff and the communities the museums serve. He joins Ben Luke to discuss the book. One of the exhibitions of the year has just opened in Florence in Italy: the Fondazione Palazzo Strozzi and the Museo di San Marco are jointly presenting Fra Angelico, devoted to the great 15th-century Florentine master. Our digital editor, Alexander Morrison talks to Carl Brandon Strehlke, a curator emeritus of the Philadelphia Museum of Art, and curator of the exhibition. And this episode’s Work of the Week is  PsychoBarn (Cut-Up)  by Cornelia Parker, an installation first made in 2023 and relating closely to the British artist’s 2016 project for the roof commission for the Metropolitan Museum of Art in New York,  Transitional Object (PsychoBarn) . The work is in a major new group exhibition at the Kunstmuseum in Basel,  Ghosts: Visualising the Supernatural  and Luke speaks to its curator, Eva Reifert. Towards the Ethical Art Museum, by Gareth Harris, published by Lund Humphries, out now in the UK, £19.99 (hb), published in November in the US and Canada, US $34.99, CA $46.99. Fra Angelico, Palazzo Strozzi and the Museo di San Marco, Florence, 26 September-25 January 2026. Ghosts: Visualising the Supernatural, Kunstmuseum, Basel, until 8 March 2026. Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available. https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

Kerry James Marshall: The Histories at the Royal Academy of Arts in London is the largest ever European retrospective of the work of the US artist and has been greeted with universal critical acclaim. Ben Luke takes a tour of the exhibition with Mark Godfrey, its curator, and visits a related exhibition of Marshall’s graphic novel project, Rythm Mastr, at The Tabernacle in Notting Hill, London, with the co-curator of that show with Godfrey, Nikita Sena Quarshie. Last week, the National Gallery in London announced that it will build a major new extension, at a cost around £400m, of which £375m has already been raised. Project Domani, as it is called, is billed by the National as the largest transformation since it was founded, 200 years ago. The National will also expand its collecting boundary beyond 1900 in a major shift in the division of UK national collections. The Art Newspaper’s digital editor, Alexander Morrison, talks to the director of the National Gallery, Gabriele Finaldi. And this episode’s Work of the Week is The Three Dancers by Pablo Picasso, one of the greatest of all the many thousands of works by the Spanish artist. The painting was made in 1925 and Tate Modern is celebrating its centenary with an exhibition, Theatre Picasso, in which The Three Dancers is the centrepiece. Ben talks to Natalia Sidlina, co-curator of the exhibition, and to Enrique Fuenteblanca who, with the artist Wu Tsang, has designed the radical staging of the exhibition. Kerry James Marshall: The Histories, Royal Academy of Arts, London, 20 September-18 January 2026; Kunsthaus Zürich, 27 February-16 August 2026; Musée d’Art Moderne de Paris, 18 September 2026-24 January 2027; Rythm Mastr: The Chronicles, The Tabernacle, London, until 14 December. Theatre Picasso, Tate Modern, London, until 12 April 2026. Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available. https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

Earlier this year, we took a tour of the V&A East Storehouse, the Victoria and Albert Museum’s vast new complex in East London. This week, it opens the David Bowie Centre, a dedicated space to the music icon. It is the permanent repository of thousands of items from Bowie’s archive, which are on display and also available for personal study. Ben Luke explores the displays at the centre with the curator, Madeleine Haddon. Last week, a new biennial opened in Bukhara in Uzbekistan, part of a major cultural shift in the country. The Art Newspaper’s art market editor, Kabir Jhala went to Bukhara for the opening event and delivers his verdict, and we also hear from its curator, Diana Campbell. And this episode’s Work of the Week is a pair of paintings: Untitled (2025), a new piece by Hurvin Anderson, and West Indies (2014) by Kara Walker. They are part of an exhibition at Michael Werner Gallery in London, curated by the critic and writer Hilton Als, which explores the Dominican-born writer Jean Rhys. We went to the gallery to talk to Als about these two remarkable paintings and his fascination with Jean Rhys’s life and work. David Bowie Centre, V&A East Storehouse, from 13 September.The Bukhara Biennial continues until 20 November. Postures: Jean Rhys in the Modern World, curated by Hilton Als, Michael Werner, London, 12 September-22 November. Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available. https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

Since we were last on air in June, the US government has announced what it calls a comprehensive internal review of activities at eight of the 21 museums under the umbrella of the Smithsonian Institution. Meanwhile, one of those museums, the National Portrait Gallery in Washington, D.C., saw the artist Amy Sherald cancel a long-scheduled exhibition of her work, citing censorship and institutional fear of the US government. Ben Luke talks to Ben Sutton, The Art Newspaper’s editor-in-chief in the Americas, about Donald Trump and his administration’s growing interference in museums, and whether Sherald’s act of resistance is an outlier or a marker of a wider art world response. The first major art fair of the new season, Frieze Seoul, is happening this week in the South Korean capital, after a period of political turmoil there. Our correspondent in Asia, Lisa Movius, visits the fair and gauges the mood. And this episode’s Work of the Week is  Technology/Transformation: Wonder Woman  (1978-79), by Dara Birnbaum. This landmark of video art is part of a new exhibition at San Marco Art Centre, or SMAC, a new space in the Procuratie Vecchie in St Mark’s Square, Venice. The show, called  The Quantum Effect , explores the work of several leading contemporary artists in the context of quantum theory. I talk to the exhibition’s curators, Daniel Birnbaum—no relation—and Jacqui Davies, and to Ulf Danielsson, a physicist who has suggested quantum equations to accompany each of the pieces in the show. Frieze Seoul until 6 September. The Quantum Effect, SMAC, Venice, Italy, 5 September-23 November. Hosted on Acast. See acast.com/privacy for more information.

An exhibition opens this weekend at Conditions, the low-cost studio programme for artists in Croydon, on the outskirts of south London, featuring two of the great works of art of recent decades: Mark Leckey’s Fiorucci Made Me Hardcore (1999) and Arthur Jafa’s Love is the Message, the Message is Death (2016). Ben Luke talks to Mark and AJ about showing together and the affinities and contrasts in these two contemporary masterpieces. The 12th SITE SANTA FE International exhibition also opens on Friday, and Ben speaks to Cecilia Alemani, the artistic director of the biennial, about the show, which is called Once Within a Time. And this episode’s Work of the Week is Glacial Decoy, the 1979 collaboration between the choreographer Trisha Brown and the artist Robert Rauschenberg. This landmark work is the subject of a new exhibition at the Walker Art Center in Minneapolis, and its curator, Brandon Eng, tells us more. ARTHUR JAFA / MARK LECKEY: HARDCORE / LOVE, Conditions, 28 June-10 August. You can find out more about Conditions at conditions.studio. Listen to A brush with... Arthur Jafa and A brush with... Mark Leckey wherever you get your podcasts. Those interviews feature alongside 23 others from the A brush with… series in the book by Ben Luke, What is Art For? Contemporary artists on their influences, inspirations and disciplines, published by HENI, released on 2 September (US) and 4 September (UK), $39.95/£29.95 (hb). 12th SITE SANTA FE International: Once Within a Time, 27 June-12 January 2026. Trisha Brown and Robert Rauschenberg: Glacial Decoy, Walker Art Center, Minneapolis, US, until 24 May 2026. Summer season of art scubscription offer: get 50% off a digital subscription to The Art Newspaper and gain unrestricted access today. Hosted on Acast. See acast.com/privacy for more information.

The Art Newspaper’s digital editor Alexander Morrison is in Basel for the annual Art Basel fair. He talks to our art market editor, Kabir Jhala, about the atmosphere at the fair after a long downturn in the art market and underwhelming auctions last month in New York. While some major museums around the world would rather avoid the topic of returning objects acquired in the colonial period to their countries of origin, The Wereldmuseum in Amsterdam is attempting to get on the front foot, with an exhibition called Unfinished past: return, keep, or...? One notable aspect of the show is that it is not presenting any human remains. Ben Luke speaks to our correspondent in the Netherlands, Senay Boztas, about the future of human body parts in Dutch museums. And this episode’s Work of the Week is Untitled or Not Yet (1966) by Eva Hesse, which is in a new exhibition at The Courtauld in London, called Abstract Erotic. The exhibition unites Hesse with fellow sculptors Alice Adams and Louise Bourgeois. Ben talks to Jo Applin, the co-curator of the show. Art Basel continues until Sunday, 22 June. Unfinished Pasts, Wereldmuseum, Amsterdam, until 3 January 2027. Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams, The Courtauld, 20 June-14 September; Louise Bourgeois: Drawings from the 1960s, the Courtauld, 20 June-14 September. Summer subscription offer: get up to 50% off an annual print & digital subscription to The Art Newspaper. https://www.theartnewspaper.com/subscriptions-SUMMER25P&D?promocode=SUMMER25&utm_source=special+offer+banner&utm_campaign=SUMMER25 Hosted on Acast. See acast.com/privacy for more information.

The Dulwich Picture Gallery, the UK’s first purpose-built public art gallery, is hosting an exhibition of one of Britain’s brightest young painting talents, Rachel Jones. Ben Luke visits the gallery to talk to her about the paintings—giant and tiny—in the show. The latest Liverpool Biennial has just opened in that great British city; Louisa Buck, The Art Newspaper’s contemporary art correspondent, joins Ben to review the show. And this episode’s Work of the Week, is the UK Aids Memorial Quilt, which was instigated in 1989 and commemorates the lives of 384 individuals affected by HIV and Aids. It is made up of 42 quilts made from multiple panels and a further 23 individual panels. The quilt is being shown at Tate Modern this weekend, and we speak to the writer Charlie Porter, who included the quilt in his recent novel Nova Scotia House and instigated the project to show it at Tate. Rachel Jones: Gated Canyons, Dulwich Picture Gallery, London, until 19 October. Liverpool Biennial: BEDROCK, until 14 September. The UK Aids Memorial Quilt, Tate Modern, until 16 June; Charlie Porter, Nova Scotia House, Penguin, £18.99; US: Nightboat Books, 21 October, $17.95. Hosted on Acast. See acast.com/privacy for more information.

The fifth edition of London Gallery Weekend takes place this weekend, and opens as the global art market is at a low ebb. So what can it do to change the mood? Ben Luke speaks to Ananya Mukhopadhyay, the managing director of Ames Yavuz, which is opening a new London gallery to coincide with the weekend events, and Jeremy Epstein, co-director of the Edel Assanti gallery, who is the co-founder and co-director of London Gallery Weekend. In 2018, a devastating electrical fire tore through the National Museum of Brazil in Rio de Janeiro with catastrophic consequences. This week, it will temporarily reopen some of its galleries. The museum’s director, Alexander Kellner, tells The Art Newspaper’s digital editor Alexander Morrison about its steady rise from the ashes. And this episode’s Work of the Week is a miniature portrait of Jane Austen by an anonymous 19th-century artist. The work belongs to the Morgan Library & Museum in New York, which this week opens the exhibition A Lively Mind: Jane Austen at 250. The show is co-organised by Juliette Wells, Professor of Literary Studies at Goucher College in Baltimore, and she speaks to Alexander Morrison about the portrait. London Gallery Weekend, 6-8 June. Simon Lehner: Of Peasants & Basterds, Edel Assanti, 6 June-22 August; Polyphonies, Ames Yavuz, London, 6-26 June. The temporary reopening of the National Museum of Brazil continues until the end of July. A Lively Mind: Jane Austen at 250, Morgan Library & Museum, New York, 6 June-14 September Summer subscription offer: get up to 50% off an annual print & digital subscription to The Art Newspaper. Link here:  https://www.theartnewspaper.com/subscriptions-SUMMER25P&D?promocode=SUMMER25&utm_source=special+offer+banner&utm_campaign=SUMMER25 Hosted on Acast. See acast.com/privacy for more information.

We visit major museum projects unveiled this week in London and New York: Ben Luke takes a tour of V&A East Storehouse in London’s Queen Elizabeth Olympic Park, which offers unprecedented access to the Victoria and Albert Museum’s collection. He meets the deputy director of the V&A, Tim Reeve, and speaks to key members of the team that are making this radical museological vision for London a reality: the museum’s lead technician, Matt Clarke, its senior curator Georgia Haseldine, and Kate Parsons, the director of collections care and access. The Art Newspaper’s editor-in-chief, Americas, Ben Sutton, visits the Metropolitan Museum of Art, which this week unveiled its revamped Michael C. Rockefeller Wing. The wing holds the Met’s collections of work from Africa, the Ancient Americas, and Oceania. Ben talks to Alisa LaGamma, the curator of African art who is in charge of the Rockefeller Wing, and the Papua New Guinea-born, Brisbane-based artist Taloi Havini, one of a number of contemporary artists who created new works for the the project. And this episode’s Work of the Week is  Down and Up  (2024-25) by Rachel Whiteread. It features in a new show of Whiteread’s work, the first at the Goodwood Art Foundation, a not-for-profit contemporary art gallery and sculpture park in West Sussex, UK. Ben Luke talks to Rachel about the work. V&A East Storehouse, London, opens 31 May. The Michael C. Rockefeller Wing at the Metropolitan Museum of Modern Art New York, reopens 31 May. Rachel Whiteread, Goodwood Art Foundation, West Sussex, UK, 31 May-2 November. Summer subscription offer: get up to 50% off an annual print & digital subscription to The Art Newspaper. Link here:  https://www.theartnewspaper.com/subscriptions-SUMMER25P&D?promocode=SUMMER25&utm_source=special+offer+banner&utm_campaign=SUMMER25 Hosted on Acast. See acast.com/privacy for more information.

A host of exhibitions and events this month and next celebrate the 100th anniversary of the birth of the Swiss artist Jean Tinguely, one of the godfathers of kinetic and auto-destructive art. Ben Luke speaks to Roland Wetzel, the director of the Tinguely Museum in Basel about the artist’s life and work, and the events marking the centenary. In Rotterdam in the Netherlands, Fenix, a museum about migration, has just opened, featuring a dramatic stainless steel tornado form on its roof. We discuss the museum with its director, Anne Kremers. And this episode’s Work of the Week is by an immigrant artist, Ben Shahn, who was born in modern-day Lithuania but travelled as a child to the US, where he became a leading painter associated with Social Realism. Among his greatest achievements was the mural The Meaning of Social Security, painted between 1940 and 1942 in Washington D.C. to reflect the benefits of the then-recent Social Security Act. Shahn is the subject of a major show that opened this week at the Jewish Museum in New York. We speak to Laura Katzman, the co-curator of the exhibition with the Jewish Museum's Stephen Brown, about Harvesting Wheat (1941), Shahn’s study for one of the figures in the mural. The Tinguely Museum in Basel, Switzerland, has a permanent display of his work; Scream Machines–Art Ghost Train, by Rebecca Moss and Augustin Rebetez, Tinguely Museum, until 30 August; Mechanics and Humanity: Eva Aeppli and Jean Tinguely, Lehmbruck Museum, Duisburg, Germany, until 24 August; Niki de Saint Phalle & Jean Tinguely: Myths & Machines, Hauser & Wirth Somerset, Bruton, UK, until 1 February 2026; Niki de Saint Phalle, Jean Tinguely, Pontus Hultén, Grand Palais, Paris, 20 June-4 January 2026. The Fenix museum is open now. Ben Shahn: On Nonconformity, Jewish Museum, New York, 23 May-12 October. The book accompanying it published on 3 June by Princeton University Press, priced $45.00/£38.00. The Meaning of Social Security murals: https://art.gsa.gov/artworks/637/the-meaning-of-social-security?ctx=3bc918796c456cc8fb8e3d3f033918d4249d0ce6&idx=6 https://livingnewdeal.org/sites/wilbur-j-cohen-building-shahn-frescoes-washington-dc/#lg=1&slide=1 Hosted on Acast. See acast.com/privacy for more information.

Koyo Kouoh remembered, Queen Elizabeth II memorial, Jasper Johns by Robert Storr Koyo Kouoh, the Cameroon-born curator who was director of Zeitz Mocaa in Cape Town and had been invited to curate next year’s Venice Biennale died on 10 May. There has been an outpouring of moving tributes to Kouoh from artists, curators and gallerists across the world, and Ben Luke speaks to Nolan Oswald Dennis, the Johannesburg-based artist who has a current show at Zeitz, and Liza Essers, the owner and director of Goodman Gallery, about her life and work. A design competition for the Queen Elizabeth II National Memorial in St James’s Park in London has been launched, with five designs competing for the commission. We talk to Sandy Nairne, the former director of the National Portrait Gallery in London, who is on the committee tasked with choosing the winning design. And this episode’s Work of the Week is Regrets, a painting from the series of that name made by Jasper Johns in 2013. The work is discussed in a new book of writings on Johns by the former curator at the Museum of Modern Art and of the Venice Biennale in 2007, Robert Storr. We speak to Storr about the work. Nolan Oswald Dennis: Understudies, Zeitz Mocaa, Cape Town, South Africa, until 27 July; Nolan Oswald Dennis: throwers, Gasworks, London, until 22 June. To see the five proposals for the Queen Elizabeth II National Memorial and give feedback visit competitions.malcolmreading.com/queenelizabethmemorial#overview. The opportunity to give feedback on the designs will close on 19 May. Robert Storr, Focal Points: Jasper Johns, HENI publishing, £19.99 (hb). Hosted on Acast. See acast.com/privacy for more information.

This week: after a two-year closure, the National Gallery’s Sainsbury Wing reopens this week, revealing a major overhaul by the architect Annabelle Selldorf. The gallery has also rehung its entire collection and Ben Luke takes a tour of both the revamped building and the new displays with the National Gallery director, Gabriele Finaldi. Tate Modern celebrates its 25th anniversary this weekend, and Luke talks to The Art Newspaper’s contemporary art correspondent Louisa Buck and another of our regular contributors, Dale Berning Sawa, about its seismic impact in London and beyond over the past quarter of a century, its complex present circumstances and its future. And this episode’s Work of the Week is the late German artist Inge Mahn’s sculpture Balancing Towers (1989). It is a key work in an exhibition called “Are we still up to it?” – Art & Democracy at the Herrenchiemsee, the castle on an island in the Chiemsee lake, in southern Bavaria, Germany. Oliver Kase, the director of collections at the Pinakothek der Moderne, in Munich, and co-curator of the exhibition, joins Luke to discuss the sculpture. The Sainsbury Wing and CC Land: The Wonder of Art, National Gallery, London, from 10 May. You can hear a conversation with Annabelle Selldorf about the Frick Collection on the episode of this podcast from 28 March 2025. And our interview with the architectural critic Rowan Moore reflecting on the debate about Selldorf’s alterations to the original Sainsbury Wing project is in the episode from 4 November 2022. Tate Modern’s 25th Birthday Weekender, Tate Modern, London, 9-12 May. “Are we still up to it?” – Art & Democracy, Herrenchiemsee Palace, Chiemsee, Germany, 10 May-12 October Hosted on Acast. See acast.com/privacy for more information.

During his lifetime, the late artist Frank Auerbach never had an exhibition in Berlin, the city of his birth, which he left for the UK in 1939 to escape the Nazis. This weekend, the first show of his work in the German capital opens at the Galerie Michael Werner. Our digital editor, Alexander Morrison, went to Berlin to talk to the artist’s son, the filmmaker Jake Auerbach, about the exhibition. A new book by Dan Hicks, a curator at the Pitts River Museum in Oxford, UK, titled  Every Monument Must Fall  explores the origins of the fierce contemporary debates around colonialism, art, and heritage. It investigates in particular the acquisition of human remains and their ongoing place in museums and other historical institutions. Ben Luke spoke to him about the publication. And this week’s Work of the Week is  Republic  (1995) by Ian Hamilton Finlay, whose centenary is being celebrated this year with a new publication and a series of exhibitions in London, Edinburgh, Palma de Mallorca, Brescia, New York, Hamburg, Basel and Vienna. Luke spoke to Stephen Ban, a long-term specialist in Finley’s work, about this sculptural installation. Frank Auerbach , Galerie Michael Werner, Berlin, 3 May-28 June Dan Hicks,  Every Monument Must Fall , is published by Hutchinson Heinemann. It is out now in the UK and priced £25. It will be published in the US in August and priced $47.99 Fragments,  an exhibition of Ian Hamilton Finlay’s work, is showing at Victoria Miro, London, until 24 May. Further exhibitions are at the Ingleby Gallery in Edinburgh, Kvenig Gallery in Palma de Mallorca, Galleria Massimo Minini in Brescia, David Nolan Gallery in New York, the Svea Semmler Gallery in Hamburg, the Stamper Gallery in Basel and the Galleria Hubert Winter in Vienna The book  Fragments  is published by ACC Art Books and edited by Pia Maria Simig. It is published on 8 May and priced £50 Hosted on Acast. See acast.com/privacy for more information.

Following the death of Pope Francis on Easter Monday, The Art Newspaper’s managing editor, Louis Jebb, who has written an extensive obituary of the late pontiff, joins Ben Luke to talk about the late pope’s engagement with art and with the Vatican art collections. Wednesday 23 April was the 250th anniversary of the birth of JMW Turner, one of the greatest British artists. A host of exhibitions and events are marking this moment, and we speak to Amy Concannon, the senior curator of historic British art at Tate Britain, about Turner’s enduring appeal. And this episode’s Work of the Week is arguably John Singer Sargent’s most famous—and in its time, his most infamous—painting, Madame X (1883-84). A portrait of Virginie Amélie Avegno Gautreau, it features in a major show of Sargent’s work that opens this week at the Metropolitan Museum of Art in New York, before travelling later in the year to the Musée d’Orsay in Paris. Our associate digital editor, Alexander Morrison, discusses the picture with Stephanie L. Herdrich, a co-curator of the exhibition. You can explore the Turner Bequest at  tate.org.uk —the full collection will be online later this year. Cataloguing Turner’s Bequest: Sketchbooks, Drawings, Watercolours, Tate Britain, London, ongoing. Full list of the Turner 250 events:  tate.org.uk/art/turner-250 Sargent and Paris, The Metropolitan Museum of Art, New York: 21 April-3 August; Sargent: The Paris Years, Musée d’Orsay, Paris, 22 September 22-11 – January 2026. Last chance! Subscription offer: enjoy a three-month digital subscription to The Art Newspaper for just £3/$3/€3. Get unrestricted access to the website and app including all digital monthly editions dating back to 2012. Offer ends on 30 April. Subscribe  here . https://www.theartnewspaper.com/subscriptions-3FOR3?utm_source=podcast&promocode=3FOR3 Hosted on Acast. See acast.com/privacy for more information.

ollowing on from opening her exhibition at the Whitney Museum of American Art, which continues until August, the US-born, Berlin-based artist Christine Sun Kim this week opened a show in London in collaboration with Thomas Mader. The exhibition, 1880 THAT, uses a notorious historic conference in Milan in 1880, which effectively outlawed sign language in Deaf education, as a springboard to explore languages and stigma in Deaf and hearing cultures today. Ben Luke discusses the show with Kim and Mader. In Abu Dhabi, the latest museum devoted to the interactive art of the Japanese collective teamLab opens this week in the Saadiyat Cultural District. The Art Newspaper’s reporter in the Middle East, Melissa Gronlund, has visited the museum and tells us more about teamLab’s newest immersive experience. And this episode’s Work of the Week is Young Woman seated at a Virginal (1670-75), a painting by Jan Vermeer that may be the very last picture he ever made. Our special correspondent, Martin Bailey, tells us how new conservation of the picture has revealed that 17th-century pollution may hold the key to dating the painting. 1880 THAT: Christine Sun Kim and Thomas Mader, Wellcome Collection, London, until 16 November; Christine Sun Kim: All Day All Night is at the Whitney Museum of American Art, New York, until 6 July. teamLab: Phenomena, Abu Dhabi, opens 18 April. From Rembrandt to Vermeer: Masterpieces from The Leiden Collection, H’ART Museum, Amsterdam, until 24 August. Subscription offer: enjoy a three-month digital subscription to The Art Newspaper for just £3/$3/€3. Get unrestricted access to the website and app, including all digital monthly editions dating back to 2012. Subscribe  here . https://www.theartnewspaper.com/subscriptions-3FOR3?utm_source=podcast&promocode=3FOR3 Hosted on Acast. See acast.com/privacy for more information.