The Offset Podcast

Happy Holidays! It’s our last episode of Season 2 and for the year! We’ll return in mid-January 2026 for Season 3 with some great new topics, new types of content and much more. If you’ve enjoyed The Offset Podcast help us improve it. If you have 5-10 minutes we’d love it if you could take our audience survey by visiting this link: https://wkf.ms/4acQMvb Thank you to our amazing audience we couldn’t do the show without your support. Wishing you and yours a great holiday season! ———— Continuing our recent efforts to address some viewer/listener submitted topics, in this episode of The Offset Podcast we’re exploring a question we got from audience member Jared about how to integrate greenscreen work into a color/finishing pipeline. It’s a great topic, and one as you’ll see and hear Joey gets particularly amped up about! Since we’re a podcast and not a tutorial channel, this episode is more about big picture strategies and techniques then the nitty gritty of particular sliders and knobs, but we still cover a ton. Some of the specific topics we explore include: Success in greenscreen work starts on set Keying on the Resolve Color page vs Fusion page Fusion’s Delta Keyer Getting more comfortable with mattes and transparency Edge refinement, matte finessing and the difference between the two Combining keys and using garbage mattes Controlling spill with spill suppression Light wrap, shadow creation and getting better composites Handing off to a VFX professional If you like The Offset Podcast, we’d love it if you could do us a big favor. It’d help a lot if you could like and rate the show on Apple Podcasts, Spotify, YouTube, or wherever you listen/watch the show. Also if you liked this show consider support the podcast by 'buying us a cup of coffee' - https://buymeacoffee.com/theoffsetpodcast

In this episode of The Offset Podcast, we’re exploring another viewer/listener submitted question - this time from a viewer named Camilo. Camilo asks about the balance as a colorist of being a technician vs an artist. Thanks Camilo for the topic - it’s a deep one! Specifics topics we explore in this episode include: Color grading IS technical, but its ALSO very creative. Most colorists aren't exclusively one or the other How you got into post/color plays a large role in how you see yourself and others seen you How you can fill your technical/creative gaps with conceptual thinking The colorist as a fulcrum in a creative/technical seesaw How the pressures of having to 'invent images' vs respecting photography brings technician vs artistry to the forefront How video/film projects have less diversity of approach than other artistic mediums The power of experimental projects Learning to understand your own personal strengths If you liked this episode, please subscribe, like and rate it wherever you found the show. We'd also love it if you'd consider supporting the show by 'buying us a cup of virtual coffee' https://buymeacoffee.com/theoffsetpodcast

Did you know you can submit questions or show ideas for the podcast? If you head over to offsetpodcast.com at the top of the page there is a button to submit an idea for a future episode. You can also use this button to provide feedback about the podcast. We’d love to hear from you. Today we’re exploring a question we got from one of our viewers/listeners Jon who writes asking about trends in color grading. Thanks for the question Jon it’s a good one! Some of the specifics we discuss in this show include: The challenge of pinpointing trends Hommage vs. copy cat What’s popular now? Have we become scared of contrast? The magic of ‘90s and early 2000’s looks Thinking about future trends by using past looks as a library If you liked this episode be sure to check out our growing library of episodes and like and subscribe to the podcast where ever you find it. Also, we'd love it if you consider buying us a cup of virtual coffee to help support the show - it means a lot to us. https://buymeacoffee.com/theoffsetpodcast

You hear a lot of talk about references when it comes to color grading - but what are references? How do you interpret them to get great results? And, how can references play a role in client communication? It's these topics and more we're discussing on this installment of The Offset Podcast Specifics discussed int his episode include: What is a reference and what is it good for? References aren’t just good for color - good for all aspects of finishing References as a communication tool Interrogating the client about provided references Inspirational references vs. practical references Reference evaluation - color, contrast, texture, mood and focus Working with references in your color grading app Thinking volumetrically with references If you liked this episode, please subscribe, like and rate it wherever you found the show. We'd also love it if you'd consider supporting the show by 'buying us a cup of virtual coffee' https://buymeacoffee.com/theoffsetpodcast

If you have a craving for the latest, fastest and most powerful hardware and software out there - you’re not alone! Technology lust is real, and in this episode of The Offset Podcast we’re discussing managing it. Specific topics for this episode include: Staying at or near the technological curve Measuring desire vs real impact of new gear and software The benefits of being slightly behind the bleeding edge - improvement without breaking the bank How small improvements can scratch that upgrade itch Monitor upgrades The underrated value of storage upgrades The danger of ‘build it, and they will come The financial part of upgrades - purchasing, finance, leasing If you liked this episode check out our growing library of other episodes, and we'd love it you could take a moment to like/subscribe where ever you find the show. Also, we'd be grateful if you'd consider supporting the show by buying us 'a cup of coffee' https://buymeacoffee.com/theoffsetpodcast

In this episode of The Offset Podcast, we’re talking about relationships and their importance in the post production industry (or any industry really). You’ve likely heard the phrase ‘it’s a relationship business’. What that means and how do you go about working on your relationships is what we’re exploring in this show. Specifics we discuss include: What do we mean by post is a ‘relationship business’? No one is perfect, but trying to always improve relationships should be the goal Using the concept of the ‘golden rule’ and giving people the benefit of the doubt Stages of relationships Managing client relationships and the importance of being ‘invested’ in their success The importance of clear expectations with clients Stewardship and ‘checking in’ with clients between projects How project debriefs can be a valuable tool for client relationship growth Working with other vendors and the delicate dance with client involvement Direct replies vs reply all when it comes to working with other vendors Using relationships with other vendors as a sales and workflow assets The challenges of relationships with co workers & colleagues Putting the project first with all colleagues - even ones you don’t get along with The importance of modesty and a positive attitude with co-workers Owning your faults/mistakes and working to rectify them How you talk about others dramatically impacts your relationships If you like this episode please like and subscribe to the podcast wherever you find it. Also we'd be grateful if you'd consider supporting the show by buying us a cup of virtual coffee - https://buymeacoffee.com/theoffsetpodcast We'll be back in another two weeks!

In this episode, we’re discussing something we do pretty regularly - look setting with a client. If you’re not familiar with look setting, it can be a vital part of the grading process. It helps ensure that you and the client are on the same page with the creative choices and the look of a project PRIOR to grading the entire project and potentially going down the wrong path. Look setting can be an integral part of preproduction - building monitoring LUTs or in camera look files. Or it can happen after production has wrapped but prior to the main grade starting or combination of those approaches In this episode it’s that second scenario that we’re going to be discussing. We’ll cover developing looks for production in a future episode. Specific topics discussed in this show include: What is look setting and while is a vital part of the finishing process? How look setting is the first part of building client confidence and important to the communication process When does looking setting happen? Making the goals of a looking setting session clear to everyone involved Strategies to avoid going too deep in the grade while also showing off capabilities & possibilities The importance of reviewing & discussing references How to pick shots and scenes to work on Building 3 to 4 looks to share with the client Leveraging comparative tools Presenting shot challenges without offending clients In person, asynchronous and remote streaming look sessions Moving from a look setting session into the main grade If you like this episode please consider supporting the podcast by buying us 'a cup of coffee': https://buymeacoffee.com/theoffsetpodcast Big thanks as always to our sponsor Flanders Scientific for helping make these shows possible. See you in about two weeks!

In this episode of The Offset Podcast we’re talking about something that’s been on our mind for while - virtualization. Specifically how virtualization can help facilitate and color and postproduction workflow. If you’re new to the subject than this episode is a good primer on the essential components of virtualization, for those of you more experienced with virtualization, we believe strongly that virtualization will continue to play a large role in our industry and over the next few years become mainstream in many post and finishing workflows. Specific topics discussed include: What is virtualization and why is it important? Local hardware mentality vs virtualization Local hypervisors and VMs Virtualization servers (DIY local and or Cloud Based) Key vocabulary - bare metal, pass through etc The role of Remote Desktop/streaming and local clients in a virtualized setup Why and how we’re experimenting with fully virtualized workflows The trickle down effect of virtualization is gaining steam If you like The Offset Podcast, we’d love it if you could do us a big favor. It’d help a lot if you could like and rate the show on Apple Podcasts, Spotify, YouTube, or wherever you listen/watch the show. Also if you liked this show consider support the podcast by buying us a cup of coffee. - https://buymeacoffee.com/theoffsetpodcast

In this episode of The Offset Podcast we’re continuing our conversation with Cullen Kelly on color eduction. If you missed part 1, be sure to go back to and check it out. In this episode some of the topics we explore include: Finding the right instruction and right instructor for how you learn The role of 'robustness’ in color education Why concepts trump recipes Why some practitioners aren’t great teachers and some teachers aren’t great practitioners How to get people to ‘launch’ post instruction From tutorials on YouTube to a building a brand The Pros/Cons of different instruction types - in person, asynchronous, audio only etc The responsibility of a student and how to good student The challenges of teaching the ‘soft’ side of color - room & client management What constitutes success as an educator? Dealing with trolls and criticism as an educator A huge thanks to Cullen for joining us these past two episodes. You can learn more about Cullen’s courses, tools and community by visiting his YouTube channel - www.youtube.com/cullenkelly If you liked this episode consider supporting the show by buying us a coffee - https://buymeacoffee.com/theoffsetpodcast Thanks as always to our amazing sponsor Flanders Scientific and our editor Stella!

In this episode of The Offset Podcast we’re talking about a subject that’s near and dear to us - color education. Over the past 25 years both Joey and Robbie have written books on postproduction, authored hundreds of hours of tutorial content and spoken on color and postproduction at conferences and events all around the world. For this episode we thought it’d be fun to have one of our favorite color educators join the show as a special guest. Who’s that special guest? None other than the incomparable Cullen Kelly. As a colorist Cullen’s eye is sought after by some of the biggest brands and best film makers in the world, as an educator his knowledge and easy going manner have earned him the respect of thousands around the world and even gave brith to a thriving community he manages. As a developer - first with DCTL and now OFX, Cullen is combining his love of color science and workflow all to help colorists create compelling images. Specific topics we cover in this episode include: Cullen’s background and how his journey began with a desire to know more about color How being a staff colorist drastically impacted his skills and learning the craft of color grading How the facility experience also drove his desire to learn more about what was happening behind the scenes with image creation Rewarding the passion of others by sharing knowledge and building a community Color and post have lots of ‘lanes’ of knowledge, no one ever regrets knowledge gained How knowledge is tiered - you can’t learn everything all at once. The challenges of calibrating education to your audience The role of principles and how they outweigh any specific tool The challenge of teaching when the quality of footage, projects, and skillsets vary If you liked this show consider support the podcast by buying us a cup of coffee. - https://buymeacoffee.com/theoffsetpodcast Also be sure to like and subscribe to the show where ever you find it!

Routers, switches, IPs, MAC addresses - if those and dozens of other IT terms sound like different language to you, you're not alone! In this episode of The Offset Podcast we’re discussing essential IT vocab, devices and workflows. Of course, in a single episode there is a ton that we can’t cover, but if as a creative, IT stuff is confusing to you, than this overview will certainly help. Being conversant with IT terms is a must in modern post production. Some of the specific topics we explore in this show include: Why IT knowledge is essential on lots of levels including communicating with other people in the industry Understanding the role of a router and WAN vs LAN connections The role of a switch IP essentials - public IP vs internal IP DHCP vs Static/Fixed IPs VLANS and their role in more complicated network structures The value of an IT ecosystem/product integration and a ‘single pane of glass’ approach Firewalls and their importance in VLAN setups & incoming/outgoing connections Exploring network speed and performance options - 1GbE, 10GbE etc Understanding jumbo frames/MTU size The role of WIFI in the professional environment Remember, if you like this episode please do us a favor and like and subscribe where ever you find it!

It’s widely known that the Blackmagic Design development team for Resolve is one of the best in the business. - coming up with great new features and squashing bugs quickly. But that doesn’t mean there isn’t room for improvement! In this episode we take a list of 50+ feature requests and cull that down to 10 (ish), touching on things like groups, potential interface improvements, and what AI could (should) be doing in Resolve. Of course, anytime a list of 50+ things is paired down considerably there are good feature requests that get left behind so we might have to do a part 2 on this later in the year. In this episode some of the feature requests/improvements we take a look at include: Complete revision of groups in Resolve More AI driven utility tools - auto conform, dead pixel analysis, auto grouping etc UI improvements - UI to dock/save presets, settings, DCTLS, favorite effects, momentary full screen panels Tracking & Stabilization workflow improvements including axis weighting, predictive tracking, depth based tracking Gestural support for pen and trackpad users Color management for saved/exported stills + contact sheet/webpage export Closed caption, & Dolby Vision/Atmos support for DCPs. DCP validation Info pallet improvements - shot stats, corrections list, more items available for smart filtering How to make good feature requests and bug reports Be sure to checkout offsetpodcast.com to check out our growing library of shows as well as to submit an idea for a future episode. If you liked this or other episodes please consider buying us a cup of coffee to support the show: coff.ee/theoffsetpodcast Thanks as always to our amazing sponsor @flandersscientific for the support!

In this episode of The Offset Podcast we’re asking & discussing the question - Is HDR really taking off? At first blush, the answer is yes, but the really, the answer is decidedly more nuanced. Specifics discussed in this episode include: HDR seems to be everywhere - streaming platforms, consumer electronics, professional gear with billions made in investment While wildly available, access to HDR content is still often based on ‘level’ of plan. Disconnect for consumers between HDR capable hardware and plans The role the iPhone has played in helping spread HDR Although available & accessible, HDR is still widely weighted to the ‘higher end’. Mid and entry level productions aren’t utilizing HDR. Why? And how can that change? The language of HDR has become conservative and very similar to SDR versions making differentiation harder A safe approach to HDR may be tied to derived downstream HDR and SDR performance. Investment in expensive gear (reference monitoring) for what many see as niche is also a contributing factor How to sell and consistency in selling HDR content is important Many feel that HDR is something that is being dictated to them…but for technical not creative reasons Important to remember HDR technology and workflows are still relatively new Stunning HDR content does exist and shows what can be done (Ian Vertovec examples) Given artists space and time to work on HDR can produce amazing results If you like the show be sure to like and subscribe where ever you find The Offset Podcast

It’s no secret that the post production (and production) industry is in a bit of tumultuous period resulting in a lot of people wondering if they should stay in the industry and for young people who are drawn to postproduction, if they’re making the right move trying to pursue editing, color, mixing etc. In this episode, we’ll explore these issues and more. While we don’t have the fixes for the macro issues at play in our industry, we discus many ways to battle the current downturn in post including: The current challenges in post production are multi-faceted and no single way to solve them Post production requires a massive amount of effort other industries can be more appealing (and more lucrative) Jobs at post facilities are few and far between but its hard to recommend to young folks starting out to just start their own business or go freelance - there are significant challenges in doing so Medium and small size post production companies can be doing a better job with training, mentorship and recruitment. Better understanding were postproduction work has gone - social content, corporate communications etc Developing adjacent stills are absolute necessity for the modern post worker - programing, AI , IT workflows Understanding not all work is art, but all work is commerce The product of ‘production companies’ has changed drastically and leverages more than just traditional post skills Content creation really only works with a purpose and a goal Moving from an operator role to other roles in the industry - even ones you might think of like software creation/management Skills learned in post are highly desirable and portable in a wide swath of industries If you liked this show, checkout our library of past episodes and please like and subscribe to the show where ever you find it!

In this episode we’re exploring a audience member submitted question about how to know when a grade is done and ready to present to a client. It’s a more nuanced and complex question than you’d think! Specific topics discussed in this episode include: Color is very subjective thing - how to balance your ‘done’ vs a client’s done The importance of pre-grade goals How initial project evaluation is a vital part of the grading process Getting to know a client’s preferences, aesthetic, and things they focus on The immense value of working in passes Focusing first on ‘tone’, white/black point, and overall shot to shot contrast Moving to large feature matching Detailed work - beauty, clothing, small features shot to shot Showing the client for the first time - balancing confidence and accepting constructive criticism Putting the project back in front of client again after addressing notes and gauging success Evaluating ‘translatability’ on consumer devices Preparing for big changes, disasters etc with project backups, duplicated timelines, and versions Balancing perfectionism with staying on schedule and delivering The long term value of being committed to your work If you liked this episode be sure to check out our growing library of shows. Also be sure to like and subscribe to The Offset Podcast where ever you find it!

In this episode, we’re continuing our discussion with monitoring experts Bram Desmet from Flanders Scientific, Nate McFarlin from Dolby, and David Abrams from Avical/Portrait Displays Some of the specific topics we cover in this episode include: How are panels actually made? And why does it cost billions? The role of material science in panel manufacturing Understanding the split between panel manufacturers and consumer brands of the same name The importance of viewing environment in regards to display performance Understanding preference vs accuracy The shift to consumer-sized panels as reference monitors and the ongoing challenges of using multiple monitors Building meter matrices with the four color method, and are there better approaches, like the Bodner method or the volumetric approaches used by some calibration software Revisiting using consumer displays in a professional setting & why consumer TV companies have little incentive to integrate reference capabilities Continuing challenges of Rec.2020 Calibrating computer monitors, iPads, and mobile devices If you like this episode, please be sure to subscribe to the podcast give the show a like wherever you're watching/listening!

For our 30th episode we're discussing that topic we always seem to revisit - monitoring! While we have some opinions on the state of reference and consumer monitors in 2025 we thought it'd be fun to celebrate our 30th episode with some good friends who also happen to be experts in their part of the monitoring ecosystem. In Part 1 of a two-part series, we're joined by Flander Scientific CEO Bram Desmet, Nate McFarlin from Dolby, and David Abrams from Portrait Displays/Avical. We'll discuss their areas of expertise with each of them a little bit - monitor manufacturing, display testing and validation, and calibration. Specific topics explored in this episode include: Staying on top of monitoring technologies Choosing display technologies for a monitor product line Determining what features make it into monitor software Addressing different needs of different users e.g. DITs vs Colorists How staying at the forefront of color science helps deliver the most accurate monitors possible The role that an R&D company like Dolby plays in the monitor ecosystem How monitor usability is just as important as performance The complexity of monitor display technologies and how they can complicate monitor evaluation Sometimes monitor evaluation brings with it things manufacturers don’t want to hear Consumer monitors can be considerably harder to evaluate than professional monitors What does Dolby Certification really mean for consumer TVs When will we hit a point where HDR is standard & SDR is looked at in a similar way to HD or 4:3 Professional vs Consumer displays when it comes to calibration accuracy out of the box Calibration is not a replacement for understanding & proper setup/use of a monitor Exploring how calibration has become both easier and harder How accurate is accurate enough and is the cost of reference calibration gear worth it Noticeable differences & degrees of accuracy with calibration Drift and the frequency of recalibration In part 2 we explore some monitoring topics provided by our listeners and ones that Joey and Robbie have been eager to discuss.

In this episode, we continue our discussion about ARM-based computing and its impact on postproduction. If you missed part 1 in this series, be sure to check that out, as we cover a lot of helpful background information. In this show, some of the specifics discussed include: How ARM will factor into our next workstation purchases Do we think Apple will deliver on a ‘beast mode’ Mac Pro Will Apple Silicon ever support discreet GPUs How ARM Linux systems are very appealing from a hardware point of view but have software challenges Is widespread adoption of ARM an inflection point for cloud-based workstations for the masses A side effect of cloud-based workstations might be faster feature/bug fix deployment Why the future of workstations is really exciting Be sure to check out our library of episodes, and if you liked the show, be sure to like and subscribe to the podcast wherever you find it.

ARM SoCs (system on a chip) have become a hot topic in the computing world in the past few years. Apple branded ‘Apple Silicon’, Qualcomm’s Snapdragon, Ampere’s Altra, and others have been disruptive in a world once dominated by x86/x64-based systems from Intel & AMD. In Part 1 of a two-part series on ARM in postproduction, we explore some of the essentials of ARM systems, including: Basics of ARM vs x86/x64 processors RISK vs Non-RISK CPUs The flexibility & scalability of ARM The goal of a uniform product architecture and its advantage for a company like Apple GPU design/performance - the surprise of Apple’s ARM implementation The appeal and benefits of efficiency and low power consumption The benefits of unified memory Package scalability - faster/more cores, multiple SoCs Does clock speed matter with ARM SOCs? Additional benefits - onboard encode/decode abilities Are SoC GPUs ever going to be on par with discrete GPUs? Will discrete GPUs ever come to Apple ARM systems? In part two, we’ll dive a bit deeper, exploring additional topics, including how cloud-based ARM computing could be a game changer for cost-effective, decentralized post workflows, what the future may hold for workstations from Apple and others, and much more.

The built-in tools in grading applications like DaVinci Resolve are immensely powerful, but sometimes, you need a tool that goes further—or, at the very least, approaches a task in a slightly different way. In this installment of The OffSet Podcast, we're exploring how power grades, DCTLs, and OFX fit into a grading workflow. Specific topics we discuss in this episode include: Defining Powergrades, DCTL & OFX The benefits of extending the toolset without cluttering the user interface Integrating DCTLS and OFX into fix node tree structures The DCTL ecosystem as R&D for Blackmagic Design Keeping DCTLs & OFX in sync, up to date, and on multiple systems and locations Exploring how to NOT paint yourself into a corner with DCTLs & OFX How DCTLS and OFX require a lot of steps and clicks for use There could be better interface & panel integration Some of our favorite DCTLs and OFX Be sure to check out our library of episodes, and if you liked the show, be sure to like and subscribe to the show wherever you find it.

In this episode of The Offset Podcast, we’re discussing strategies for managing client review sessions - both in person and remote. The review session sounds straightforward on paper, but it can be a complicated balancing act of moving things along, addressing changes, and keeping everyone happy. Some of the specifics we discuss in this episode include: Managing both in-person and remote review sessions The importance of ‘knowing’ the show - content, characters, etc Modulating small talk and reading the room Leveraging markers & notes for remaining tasks to accomplish & notes to self Anticipating problems, tangents, and pushback Setup your grading pipeline to make changes and comparisons easy for the client The power of making choices and changes visual Documenting and tracking changes for consistency and completion Making sure the technology works - audio, networking, lighting, passwords etc Having a backup strategy - rendering out intermediate masters, duplicate projects/timelines Having clearly defined goals for the review session & a post-review plan You can submit show ideas and find show notes by visiting www.offsetpodcast.com. You can also follow us on Instagram, Facebook, and YouTube - just search for The Offset Podcast

In this installment of The Offset Podcast, we're discussing many of the things no one told us before we decided to become professional colorists. While being a professional colorist can be exciting and rewarding, the job also comes with a plethora of challenges and things you might not realize. Some specifics we discuss in this episode include: Is being a colorist everything it’s made out to be? How being a colorist can challenge your physical and mental health How not every project is share-worthy and it's easy to feel like you're not making art Challenges of long hours and being away from family and friends Being an independent colorist is hard, but the benefits can be numerous There is more out there to color besides movies, television, and commercials - i.e. the great middle How postproduction knowledge as a colorist can be leveraged for lots of other things How you have to learn to check your ego at the door Long-term success usually means consistency and repeatability vs one awesome grade Learning how to be a team player with other parts of the pipeline Putting your knowledge to work through education, speaking, etc can be just as rewarding as grading Advancement in postproduction isn’t really connected to titles - - but more so responsibility and overall trust from stakeholders Thanks for listening/watching and if you liked this show be sure to check out other episodes and tell your colleagues and friends about the podcast!

We hope you had a great holiday season! The Offset Podcast is back for Season 2. We publish an episode every two weeks, and for Season 2 (2025), we’re excited to discuss a wide range of exciting topics. In this episode, we explore a subject that should be important to everyone who cares about image quality and accuracy—calibration. While this episode is not encyclopedic, it should give you a high-level overview of modern calibration. Topics covered in this episode include: The importance of calibration & why calibration = the truth Using color bars to set a monitor baseline isn’t calibration How standards guide calibration Calibration and monitor perfection is unattainable - the goal is to eliminate visual deviations from reference as much as possible. Understanding the parts of a closed-loop calibration system Colorimeters Spectroradiometers Creating display-specific offset matrices for a colorimeter with a spectroradiometer Pattern generators Pattern/Patch size and understanding the basics of loading behavior Calibration software Direct device control within calibration software Meter placement Challenges of calibrating projectors vs. direct-view monitors Understanding what calibration can’t do & recalibration considerations Is auto calibration any good? Hiring a professional calibrator Thanks for checking out the show! If you liked this episode please like, subscribe, and share the show with friends and colleagues.

Programming Note: The Offset Podcast is taking a break for the holidays. We'll return in mid-January 2025 with new episodes and back to our regular release schedule. A very sincere thanks to our listeners for an amazing 2024 and for helping us launch the show! -------------------------------------- Continuing with our two-part series on DIY approaches, in this installment of The Offset Podcast we'll discuss using a DIY approach to software. No, we're not talking about making your own turn-key color or editing software (but let us know if you do!), but rather things like scripting, basic coding for tool building, automation, and more. Specific topics covered in this episode include: Why DIY software approaches & can you really do these things yourself? The importance of always starting with an idea Basic scripting to improve workflows Integrating scripts through the Resolve API Leveraging Resolve developer documentation for help Learning by looking at other/open-source scripts DCTLs - creating custom color tools for DaVinci Resolve How color science and DCTLs relate Using low code/no code workflow automation platforms to connect the dots with different APIs Automating while also allowing for human decision-making Make your own UI/Interface for custom tools with Budibase Keeping interfaces simple to get more user compliance SaaS (Software As A Service) in the cloud vs local integrations The danger of using too many services Using developer marketplaces Thanks for checking out the episode. Please subscribe and like the show anywhere you find it!

You've likely heard the phrase 'work smarter, not harder'. Well, for the professional colorist who has to grade tons of shots day in and day out, working smarter is at the core of what we call grade management. In this installment of The Offset Podcast, we explore a plethora of tools & techniques for grade management. While many of these things are Resolve-specific, grade management approaches can apply to your grading tool of choice. Highlights include: What does grade management mean? The power of fixed node tree (fixed structure) The process of building your own fixed tree Leveraging Node Stack Layers Using compound nodes Using groups, Lightbox & Smart Filters to work faster Shared nodes Understanding sort modes Using multiple playheads Remote and Local grades Using Versions Split screens for complex comparisons Stills and wipes Timeline (Layer) organization and track disabling Burn in options and rendering specific tracks Single Clip vs Individual Clip render options Remember to subscribe and like wherever you find The Offset Podcast. We appreciate you checking out this episode!