The Jazz Loft Radio Series

In this episode, thanks to W. Eugene Smith's tape recorders, we get to experience something audiences rarely hear - the unrehearsed, imperfect, open-ended, overlong, rough-around-the-edges music that jazz players made...

Few people in history had as much access to the greatest jazz musicians of our time as W. Eugene Smith. The famous LIFE magazine photographer moved in 1957 to a rundown, bohemian loft on 6th avenue, in the heart of...

Before photographer W. Eugene Smith lived in a rundown loft in the thick of New York’s jazz scene, he lived in another world. A native Kansan who earned a scholarship to Notre Dame, Smith was a staff photographer for...

W. Eugene Smith recorded more than 4,000 hours in his Manhattan loft. Some 139 different personalities—musicians, writers and artists—make appearances. The conversations are one thing, but the impromptu jam sessions...

By day, Hall Overton was an instructor of classical music at Juilliard. By night, he was living, teaching, and playing jazz piano at the Jazz Loft. In this episode, some of the musicians who knew him best share their...

Like many of New York City's most influential artists, most of the prominent jazz musicians of the 1950s came from someplace else. After World War II, returning soldiers flocked to New York, bouncing from clubs to...

Ron Free, a prodigious drummer from Charleston, South Carolina, was the Jazz Loft’s "house drummer" from 1958 to 1960. Holing up in W. Eugene Smith’s apartment for weeks at a time, he jammed with everyone from...

In the early mornings, as each all-night jam session at the loft came to a close, musicians stumbled out into the fragrant air of the surrounding flower shops. For W. Eugene Smith, the Flower District was more than a...

In early 1959, a genuine stir was created in the loft -- even among the more seasoned jazz players -- when Thelonious Monk turned up to arrange his music and rehearse with the help of drummer Hall Overton. Monk and...

The commercial jazz world relied on by-the-hour club dates and recording sessions, but the after-hours loft scene gave musicians the luxury of forgetting time, as they played through long, uninterrupted, all-night jam...

It was hard not to notice that by the early 60s, things had changed dramatically for the Jazz Loft set. Folk and rock music had gained in popularity. Life in New York was becoming more expensive. The late-night jam...